वासिष्ठकथनम् (आदित्य–सोमवंशवर्णनम् तथा रुद्रसहस्रनाम-प्रशंसा)
असपत्नः प्रसादश् च प्रत्ययो गीतसाधकः प्रस्वेदनो ऽस्वेदनश् च आदिकश् च महामुनिः
asapatnaḥ prasādaś ca pratyayo gītasādhakaḥ prasvedano 'svedanaś ca ādikaś ca mahāmuniḥ
ସେ ଅସପତ୍ନ—ଅଦ୍ୱିତୀୟ; ସେଇ ପ୍ରସାଦରୂପ କୃପା; ସେଇ ପ୍ରତ୍ୟୟ—ଅଚଳ ଆଶ୍ରୟ; ସେ ପବିତ୍ର ଗୀତ-କୀର୍ତ୍ତନର ସାଧକ-ସିଦ୍ଧିକାରୀ। ସେ ତପସ୍ୟାରେ ସ୍ୱେଦ ଜନ୍ମାଏ, ଆଉ ସ୍ୱେଦାତୀତ ନିର୍ବିକାର ମଧ୍ୟ; ସେ ଆଦିକ ଓ ମହାମୁନି ଶିବ।
Suta Goswami (narrating Shiva’s Sahasranama to the sages of Naimisharanya)
It frames the Linga as Pati—unrivalled and self-sufficient—whose prasāda (grace) makes worship and mantra effective, turning devotion and chant into liberating realization for the pashu (soul).
Shiva is shown as both immanent and transcendent: He kindles tapas in embodied beings (prasvedana) yet remains untouched by bodily conditions (asvedana), the primordial source (ādika) and the supreme seer (mahāmuni).
Mantra/śabda-sādhana through hymn and chant (gīta-sādhaka) is emphasized, alongside tapas as a Pāśupata means—heat of discipline that burns pāśa (bondage) while relying on Shiva’s prasāda for fruition.