Adhyaya 4: अहोरात्र-युग-मन्वन्तर-कल्पमान तथा प्रलयान्ते सृष्ट्युपक्रमः
मर्त्यस्य चाक्ष्णोस्तस्याश् च ततस् त्रिंशतिका कला कलात्रिंशतिको विप्रा मुहूर्त इति कल्पितः
martyasya cākṣṇostasyāś ca tatas triṃśatikā kalā kalātriṃśatiko viprā muhūrta iti kalpitaḥ
ମର୍ତ୍ୟର ଆଖି ମିଟିବା-ଖୋଲିବାର ସମୟକୁ ମୂଳମାନ ଧରାଯାଏ; ସେଠାରୁ ‘କଳା’ ନିର୍ଦ୍ଧାରିତ। ହେ ବିପ୍ରମାନେ, ତିରିଶ କଳା ଏକ ମୁହୂର୍ତ୍ତ ବୋଲି କଳ୍ପିତ।
Suta Goswami
It establishes a practical unit for sacred timing—muhūrta—used to align Linga-pūjā, abhiṣeka, japa, and vrata with auspicious, disciplined cycles of time.
By measuring time from the smallest human experience and scaling upward, it implies that all kalā (time-units) are ordered within cosmic law—ultimately governed by Pati (Śiva), the Lord who regulates creation’s rhythm while remaining beyond time.
Ritual scheduling by muhūrta is highlighted; yogically, it supports Pāśupata discipline by training the pashu (individual soul) to regulate breath, attention, and practice within measured intervals.