Shukra’s Curse on King Danda and Andhaka’s Challenge to Shiva
अपश्यंस्तीर्थसलिले स्नायमानान् नरोत्तमान् ततश्चित्राङ्गदा दृष्ट्वा जटामण्डलधारिणम्/ सुरथं हसती प्राह संरोहत्पुलका सखीम्
apaśyaṃstīrthasalile snāyamānān narottamān tataścitrāṅgadā dṛṣṭvā jaṭāmaṇḍaladhāriṇam/ surathaṃ hasatī prāha saṃrohatpulakā sakhīm
သူတို့သည် တီရ္ထ (tīrtha) ရေထဲ၌ ရေချိုးနေသော အထူးကောင်းမြတ်သည့် ယောကျာ်းများကို မြင်ကြ၏။ ထို့နောက် စိတြာင်္ဂဒါ (Citrāṅgadā) သည် စက်ဝိုင်းပုံစံ ဂျဋာအစုကို ဆောင်ထားသော စုရထ (Suratha) ကို မြင်လျှင် ပြုံးရယ်ကာ မိတ်သမီးအား ပြော၏၊ စိတ်လှုပ်ရှား၍ ကိုယ်တစ်လျှောက် ကြက်သီးထလာ၏။
{ "primaryRasa": "shringara", "secondaryRasa": "adbhuta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
In Purāṇic geography, the defining act of a tīrtha is snāna. Mentioning ‘tīrtha-salila’ signals that the scene is anchored in a sanctified hydroscape where merit (puṇya) is accessed through contact with the water.
It marks Suratha as adopting ascetic appearance—matted locks arranged like a ‘maṇḍala’ (a circular crown/halo). This can indicate a vow (vrata), penance (tapas), or affiliation with Śaiva/ṛṣi culture typical of tīrtha environments.
Pulaka is a conventional sign of sudden emotional surge—recognition, love, awe, or devotional intensity. Here it foreshadows that Suratha is not a random ascetic but someone tied to her prior life-story or relationship, prompting the next explanatory speech.