Sunartaka-Naṭa Avatāra and Pārvatī’s Boon-Request (Śiva as the Testing Benefactor)
नन्दीश्वर उवाच । सनत्कुमार सर्वज्ञ शिवस्य परमात्मनः । अवतारं शृणु विभोस्सुनर्तकनटाह्वयम्
nandīśvara uvāca | sanatkumāra sarvajña śivasya paramātmanaḥ | avatāraṃ śṛṇu vibhossunartakanaṭāhvayam
နန္ဒီဣශ්ဝရက ပြောသည်— «အို စနတ်ကူမာရ၊ အရာအားလုံးကို သိမြင်သူရေ၊ အလုံးစုံကို ဖြန့်ကျက်တော်မူသော အမြင့်ဆုံး အတ္တမန်တော် ရှိဝ၏ အဝတာရကို နားထောင်လော့။ ထိုသခင်သည် ‘ဆုနတ်တက’ ဟူသော နာမဖြင့် ကျော်ကြားသော သာသနာတော်၏ နတ်ကသမားတော် ဖြစ်၏»။
Nandishvara (Nandi)
Tattva Level: pati
Shiva Form: Naṭarāja
Sthala Purana: Introduces an avatāra narrative of Śiva as ‘Sunartaka-Naṭa’ (divine dancer). While Naṭarāja is famously linked to Cidambaram, this verse itself is an avatāra-introduction rather than a Jyotirliṅga origin.
Significance: Meditation on the cosmic dance aligns the devotee with pañcakṛtya; in Siddhānta, it points to the Lord’s governance and the soul’s eventual release through anugraha after the veiling is removed.
Role: teaching
Cosmic Event: Implied cosmic governance through dance (pañcakṛtya symbolism), though no explicit kalpa/pralaya marker is stated.
The verse frames Śiva’s avatāra as a compassionate, purposeful manifestation of the Supreme (Paramātman) within the world—showing how the transcendent Pati (Lord) can also appear in a name-and-form to guide beings toward liberation.
By naming Śiva’s descent as “Sunartaka-Naṭa,” the text emphasizes Saguna worship—approaching the formless Supreme through a sacred form and līlā. Such narratives support devotion to Śiva in manifest aspects (including the Liṅga as a primary, aniconic Saguna focus).
The immediate practice implied is śravaṇa (devotional listening) to Śiva-kathā as a purifier of mind; this is traditionally paired with japa of the Pañcākṣarī mantra (Om Namaḥ Śivāya) and contemplative remembrance of Śiva as the all-pervading Lord.