The Marks of Merit and the Destinies of Beings
Divine vs Demonic Traits
इति श्रीपाद्मपुराणे प्रथमे सृष्टिखंडे पुण्यव्यक्तिर्नाम षट्सप्ततितमोऽध्यायः
iti śrīpādmapurāṇe prathame sṛṣṭikhaṃḍe puṇyavyaktirnāma ṣaṭsaptatitamo'dhyāyaḥ
ဤသို့ဖြင့် မြတ်နိုးအပ်သော ပဒ္မပုရာဏ၏ ပထမပိုင်း စೃṣṭikhaṇḍa တွင် “ပုဏ္ယဗျက္တိ” ဟု အမည်ရ သတ္တဆယ်ခြောက်မြောက် အခန်းသည် ပြီးဆုံးသွားသည်။
Narratorial colophon (textual closure line; not part of the dialogue)
Application: Use colophons to track adhyāya boundaries and thematic units (here: Puṇyavyakti), aiding disciplined study (svādhyāya).
Primary Rasa: shanta
Visual Art Cues: {"scene_description":"A palm-leaf manuscript lies open on a low wooden desk, the final line ‘iti…’ freshly inscribed in black ink, with a lotus watermark motif faintly visible on the leaf. A calm scribe’s hand rests beside a small Viṣṇu icon and a lamp, suggesting the sanctity of preserving the Purāṇa’s chapters.","primary_figures":["scribe (lekhaka)","symbolic Viṣṇu icon (small)"],"setting":"Traditional manuscript scriptorium with palm leaves, ink pot, stylus, and a small altar.","lighting_mood":"golden dawn","color_palette":["palm-leaf beige","ink-black","lamp-amber","vermillion","deep green"],"tanjore_prompt":"Tanjore painting style: a sacred manuscript desk scene with an open palm-leaf folio showing the ‘iti śrīpādmapurāṇe…’ colophon, a small Viṣṇu icon under an ornate arch, gold leaf highlighting the manuscript border and lamp flame, rich reds and greens, jewel-like detailing on the altar objects.","pahari_prompt":"Pahari miniature style: intimate indoor scene of a scribe finishing a chapter colophon, delicate linework on palm leaves, soft morning light through a lattice window, restrained palette, refined facial features, quiet devotional atmosphere.","kerala_mural_prompt":"Kerala mural style: stylized scribe and manuscript with bold outlines, prominent lamp and conch motifs, flat temple-wall composition, warm reds/yellows/greens, decorative creepers framing the colophon text panel.","pichwai_prompt":"Pichwai cloth painting style: central manuscript panel bordered by lotus vines and floral arabesques, small Viṣṇu-padukā motif above, deep indigo background with gold script-like ornamentation, symmetrical textile composition emphasizing sacred textual closure."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Yaman","pace":"slow-meditative","voice_tone":"serene","sound_elements":["soft tanpura drone","gentle temple bell","page/leaf rustle","silence"]}
Sandhi Resolution Notes: पुण्यव्यक्तिर्नाम = पुण्यव्यक्तिः + नाम; षट्सप्ततितमोऽध्यायः = षट्-सप्ततितमः + अध्यायः (अः + अ → ओऽ)
This is a colophon-style closure line marking the end of Adhyaya 76; it functions as a structural/citation aid rather than narrative dialogue.
It is the chapter title/name (nāma) used to identify Adhyaya 76 within Book 1 (Sṛṣṭikhaṇḍa).
Cite it as Padma Purāṇa, Book 1 (Sṛṣṭikhaṇḍa), Adhyaya 76 (Puṇyavyakti), concluding colophon verse.