Shloka 10
Viśokā Dvādaśī Vow, Guḍa-Dhenū (Jaggery-Cow) Gift, and Śaila-Dāna (Mountain-Charity) Rites
भृत्यो लीलावतीगेहे तेन हैमा विनिर्मिताः । तरवो हेमपुष्पाश्च श्रद्धायुक्तेन पार्थिव
bhṛtyo līlāvatīgehe tena haimā vinirmitāḥ | taravo hemapuṣpāśca śraddhāyuktena pārthiva
အို မင်းကြီး၊ လီလာဝတီ၏ အိမ်၌ သူမ၏ အလုပ်သမားသည် သဒ္ဓါပြည့်ဝစွာဖြင့် ရွှေဖြင့် ပြုလုပ်သည့် အရာများကို ဖန်တီးစေခဲ့သည်။ ထို့ပြင် ရွှေပန်းပွင့်များပါသော သစ်ပင်များတောင် ပေါ်ထွန်းလာ၏။
Unknown (context not provided; likely a narrator addressing a king as 'pārthiva')
Concept: Śraddhā and righteous intent can transmute ordinary action into extraordinary, merit-bearing results.
Application: Perform one’s duties—service, charity, craftsmanship—with sincerity rather than display; cultivate śraddhā before beginning work.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Type: city
Visual Art Cues: {"scene_description":"Inside Līlāvatī’s courtyard, an attendant crafts wondrous golden forms—trees rising as if alive, their branches heavy with gold blossoms. The air shimmers with a faith-born radiance, turning a worldly home into a sanctified, miraculous space.","primary_figures":["Līlāvatī","faithful attendant (bhṛtya)","a listening king (pārthiva) implied"],"setting":"opulent domestic courtyard with artisan tools, newly formed golden trees, flower-like gold clusters","lighting_mood":"divine radiance","color_palette":["gold leaf","lotus pink","sandalwood beige","emerald green","deep maroon"],"tanjore_prompt":"Tanjore painting style: Līlāvatī’s courtyard with a devoted attendant presenting newly fashioned golden trees with gold blossoms; heavy gold-leaf embossing on the trees and ornaments, rich maroon and emerald textiles, traditional South Indian architectural pillars, gem-studded jewelry, halo-like radiance suggesting śraddhā-made miracle.","pahari_prompt":"Pahari miniature style: a refined courtyard scene where delicate golden trees bloom with gold flowers; lyrical naturalism, soft pastel sky tones beyond the terrace, fine linework on leaves and blossoms, gentle expressions, cool shadows balancing the warm gold.","kerala_mural_prompt":"Kerala mural style: bold outlined figures of Līlāvatī and the attendant beside stylized golden trees; temple-like compositional symmetry, natural pigment reds/yellows/greens, large expressive eyes, patterned textiles, luminous gold accents implied through ochre and bright yellow.","pichwai_prompt":"Pichwai cloth painting style: a courtyard transformed into a lotus-garden motif where golden trees bloom like sacred lotuses; intricate floral borders, dense ornamentation, deep indigo background with gold detailing, peacocks perched near the golden blossoms, devotional abundance aesthetic."}
Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Yaman","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["soft temple bells","artisan hammer taps","gentle indoor echoes","distant birds"]}
Sandhi Resolution Notes: भृत्यो→भृत्यः (विसर्ग); लीलावतीगेहे=लीलावती-गेहे (षष्ठी-तत्पुरुष); हेमपुष्पाश्च=हेम-पुष्पाः+च; श्रद्धायुक्तेन=श्रद्धा-युक्तेन (समास)
FAQs
It highlights the extraordinary results attributed to śraddhā (faith): the attendant’s faith is linked with the manifestation or crafting of golden objects and even trees with golden blossoms.
Indirectly, yes: it elevates inner disposition (śraddhā) as a powerful spiritual quality, a theme commonly aligned with Bhakti literature even when explicit devotion is not stated in the single verse.
The verse implies that sincere faith and right intention can transform outcomes beyond ordinary expectation, encouraging cultivation of śraddhā rather than mere external action.