Shloka 76
Pūjādi-kathana — Gaṅgā Vratas, Tenfold Worship, Stotra, and Mokṣa on the Riverbank
मंदायै लिंगधारिण्यै नारायण्यै नमोनमः । नमस्ते विश्वमित्रायै रेवत्यै ते नमोनमः ॥ ७६ ॥
maṃdāyai liṃgadhāriṇyai nārāyaṇyai namonamaḥ | namaste viśvamitrāyai revatyai te namonamaḥ || 76 ||
Mandā မယ်တော်၊ liṅga ကို ဆောင်ထားသော မယ်တော် (liṅga-dhāriṇī) နှင့် Nārāyaṇī မယ်တော်အား ထပ်ထပ် နမස්ကာရပါ၏။ Viśvāmitrā မယ်တော်အား နမස්ကာရပါ၏။ Revatī မယ်တော်အားလည်း ထပ်ထပ် နမိုနမဟ်ပါ၏။
Narada (as a litany of salutations within the Uttara-Bhaga tirtha/mahatmya narration)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
FAQs
It functions as a namaskāra-mantra sequence: by repeatedly offering salutations to specific Devī-forms (including Nārāyaṇī), the devotee cultivates śaraṇāgati (surrender) and gains the purifying merit associated with the mahatmya context.
Bhakti here is expressed through nāma-ucchāraṇa and namaskāra—remembering and honoring divine names/forms with humility (namo namaḥ), which is a direct, accessible practice emphasized throughout Purāṇic devotion.
Chandas and śikṣā are implicitly relevant: the verse is meant for correct recitation (sound, accent, and cadence), showing the Purāṇic use of disciplined mantra-like utterance even in stotra passages.