Pūjādi-kathana — Gaṅgā Vratas, Tenfold Worship, Stotra, and Mokṣa on the Riverbank
अथ तत्राप्यशक्तश्चेल्लिखेत्पिष्टेन वै भुवि । चतुर्भुजां सुनेत्रां च चन्द्रायुतसमप्रभाम् ॥ ४९ ॥
atha tatrāpyaśaktaścellikhetpiṣṭena vai bhuvi | caturbhujāṃ sunetrāṃ ca candrāyutasamaprabhām || 49 ||
ထိုနေရာတွင်ပင် မစွမ်းနိုင်သေးလျှင်၊ မြေပြင်ပေါ်၌ မုန့်မှုန့် (flour) ဖြင့် ရေးဆွဲရမည်—လက်လေးဖက်ရှိ၍ မျက်စိလှပကာ လမင်းတစ်ဆယ်သန်းနှင့်တူသော တောက်ပမှုရှိသည့် ဒေဝီ၏ ရုပ်သဏ္ဍာန်ကို။
Narada (teaching in a ritual-instruction context within Uttara-Bhaga)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: bhakti
It teaches that devotion and intent (bhāva) can preserve the efficacy of worship even when one lacks resources—using a simple flour-drawing as a valid sacred support for meditation and ritual focus.
Bhakti is shown as adaptable and accessible: when elaborate arrangements are not possible, a devotee may still worship by creating a humble, reverent representation and contemplating the divine attributes (four arms, auspicious eyes, moon-like radiance).
It reflects practical kalpa/ritual reasoning—using a sanctioned substitute (pratinidhi) method in worship procedure—showing how rites can be performed correctly even with minimal materials.