Adhyaya 23 — Ashvatara’s Vow for Madalasa and the Bestowal of Musical Science by Sarasvati
ऋतध्वजेन सहितौ चिक्र्रीडातेऽमराविव ।
एकदा तु सुतौ प्राह नागराजौ मुदान्वितः ॥
ṛtadhvajena sahitau cikrīḍāte 'marāv iva |
ekadā tu sutau prāha nāgarājau mudānvitaḥ ||
သူတို့သည် Ṛtadhvaja နှင့်အတူ မသေမရှင်နှစ်ဦးကဲ့သို့ ပျော်ရွှင်ကစားကြ하였다။ ထို့နောက် တစ်နေ့တွင် ဝမ်းမြောက်မှုဖြင့် ပြည့်နှက်သော နဂါးမင်းသည် သားနှစ်ယောက်အား မိန့်ကြား하였다။
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Joy and play are shown as natural within dharmic life, but they also set the stage for responsibility—pleasure is followed by speech that initiates repayment of obligation.
Carita: situational narration preparing for a moral action (kṛtajñatā/repaying a benefactor).
The ‘play like immortals’ motif hints at a liminal state—beings moving between worlds (human/nāga/divine), a common Purāṇic device to introduce dharma-testing situations.