Adhyaya 23 — Ashvatara’s Vow for Madalasa and the Bestowal of Musical Science by Sarasvati
आरिराधयिषू देवं अनङ्गाङ्गहरं हरम् ।
प्रचक्रतुः परं यत्नमुभौ संहतवाक्कलौ ॥
ārirādhayiṣū devamanaṅgāṅgaharaṃ haram / pracakratuḥ paraṃ yatnamubhau saṃhatavākkalau
အနင်္ဂ (ကာမ) ၏ ကိုယ်ခန္ဓာကို ဖျက်ဆီးသူ ဟရ (Hara) ဟူသော ဘုရားကို ပူဇော်နှစ်သက်စေလိုသဖြင့်၊ အသံနှင့် အတတ်ပညာ တညီတညွတ်တည်းရှိသော သူတို့နှစ်ဦးသည် အလွန်အမင်း ကြိုးပမ်းအားထုတ်하였다။
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Success in worship is linked to ekāgratā and cooperation: ‘united voice and skill’ models harmony of intention, method, and community.
Narrative devotion; outside pancalakṣaṇa.
Śiva as ‘burner of Kāma’ represents mastery over desire; musical discipline here becomes a vehicle for sublimation and inward control.