Adhyaya 23 — Ashvatara’s Vow for Madalasa and the Bestowal of Musical Science by Sarasvati
अनादिमध्यानिधनं सदसन्न सदेव यत् ।
एकान्त्वनेकं नाप्येकं भवभेदसमाश्रितम् ॥
anādimadhyanidhanaṃ sadasanna sadeva yat /
ekantvanekaṃ nāpyekaṃ bhavabhedasamāśraitam
အစမရှိ၊ အလယ်မရှိ၊ အဆုံးမရှိသောအရာ; ရှိခြင်းနှင့် မရှိခြင်း ဖြစ်သော်လည်း အမှန်တကယ် ရှိနေသောအရာ; တစ်လည်းဖြစ်၊ များလည်းဖြစ်၍ တစ်ခုတည်းသာ မဟုတ်သောအရာ—ပေါ်ထွန်းလာသော အတ္တိတည်ရှိမှု၏ ခွဲခြားချက်များအပေါ် အခြေခံ၍ တည်နေသည်။
{ "primaryRasa": "shanta", "secondaryRasa": "adbhuta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
Reality cannot be reduced to a simple category: the Goddess is beyond binary oppositions (sat/asat, one/many). Ethically, it encourages humility in metaphysical claims and devotion that transcends rigid conceptual frames.
It is theological-metaphysical teaching embedded in narrative (not a direct sarga/pratisarga account), yet it undergirds cosmology by defining the Absolute from which creation and dissolution proceed.
The paradox points to non-conceptual realization: Devī is the substratum where opposites reconcile; ‘differences of bhava’ arise in her power, not outside her.