Gaṇa–Durgā–Tripurā Sādhanā: Bīja-Nyāsa, Śakti Arrays, Mātṛkā/Bhairava Worship, and Maṇḍala Contemplation
सदाशिवमहाप्रेतपद्मासन मथापि वा / ऐं क्लीं (ह्रीं) सौस्त्रिपुरायै नमः / ॐ ह्रां ह्रीं क्षें क्षैं स्त्रीं स्कीं रों स्फें स्फीं शां पद्मासनं च मूर्तिं च त्रिपुरात्दृदयादिकम्
sadāśivamahāpretapadmāsana mathāpi vā / aiṃ klīṃ (hrīṃ) saustripurāyai namaḥ / oṃ hrāṃ hrīṃ kṣeṃ kṣaiṃ strīṃ skīṃ roṃ spheṃ sphīṃ śāṃ padmāsanaṃ ca mūrtiṃ ca tripurātdṛdayādikam
Sadāśiva ၏ မဟာပရေတ (mahā-preta) ပေါ်ရှိ ပဒ္မအာသန (padmāsana) ကို မြင်ယောင်သော်လည်းကောင်း၊ အခြားနည်းဖြင့်သော်လည်းကောင်း—ဤသို့ ရွတ်ဆိုရမည်៖ «Aiṃ, Klīṃ (Hrīṃ), Śrī Tripurā သို့ နမස්ကာရ»။ ထို့နောက် «Oṃ hrāṃ hrīṃ kṣeṃ kṣaiṃ strīṃ skīṃ roṃ spheṃ sphīṃ śāṃ» ဟု ရွတ်ဆိုပြီး Tripurā ၏ ပဒ္မအာသနနှင့် မူရ္တိ (mūrti) ကို၊ နှလုံး (hṛdaya) မှ စ၍ အတွင်းနျာသများအတိုင်း သမಾಧိပြုပါ။
Lord Viṣṇu (teaching Garuḍa/Vinatā-putra in a ritual-mantra section)
Concept: Transforming fear and mortality (preta symbolism) into a seat for realization through mantra and inner nyāsa; Tripurā as supreme consciousness-power.
Vedantic Theme: Non-dual integration: the ‘impure’/fearful is re-seen as Brahman/Śakti’s field; internalization of deity (antar-yāga).
Application: Use contemplative visualization to face impermanence; pair mantra with inward placement (hṛdaya-ādi) to stabilize attention and reduce existential anxiety.
Primary Rasa: adbhuta
Secondary Rasa: bhayanaka
Type: inner-visualization/maṇḍala seat
Related Themes: Garuda Purana 1.24: transition from Durgā protective nyāsa/mudrā to Tripurā mantra and internal placements (hṛdaya-ādi)
This verse presents a specific Tripurā-focused mantra and meditation method, indicating the text’s inclusion of Devī-upāsanā as a valid ritual path alongside other rites.
It outlines mantra-recitation with bīja syllables and instructs visualization of the deity’s seat and form, along with inner placement beginning at the heart (hṛdayādi), consistent with nyāsa-style worship.
Approach mantra practice with clarity of intention, correct pronunciation, and disciplined meditation; if following nyāsa/Śākta procedures, learn from a qualified teacher and maintain ethical conduct as the foundation.