HomeVaraha PuranaAdhyaya 32Shloka 12
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Varaha Purana 32.12 — Adhyaya 32, Shloka 12

Dharma as the Bull-Form: Soma’s Transgression and the Institution of the Thirteenth Lunar Day Observance

तान्दृष्ट्वा युध्यतो देवानसुरैः सह कोपितान् । नारदः प्राह संगम्य पित्रे ब्रह्मणि हर्षितः ॥ ३२.१३ ॥

tān dṛṣṭvā yudhyato devān asuraiḥ saha kopitān | nāradaḥ prāha saṅgamya pitre brahmaṇi harṣitaḥ || 32.13 ||

Melihat para dewa bertempur dengan para Asura dalam kemarahan, Nārada pun bersukacita, lalu mendekati ayahandanya Brahmā dan berkata.

तान्them
तान्:
Karma (कर्म/Object of ‘दृष्ट्वा’)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया, बहुवचन; सर्वनाम
दृष्ट्वाhaving seen
दृष्ट्वा:
Purvakala (पूर्वकाल/Anterior action)
TypeVerb
Rootदृश् (धातु) + क्त्वा (अव्यय-कृदन्त)
Formक्त्वान्त-अव्यय (gerund/absolutive), ‘having seen’
युध्यतःfighting
युध्यतः:
Visheshana (विशेषण)
TypeVerb
Rootयुध् (धातु) + शतृ (कृदन्त)
Formवर्तमानकाले शतृ-प्रत्यय (present active participle), पुंलिङ्ग, द्वितीया, बहुवचन; ‘fighting’ (agreeing with देवान्)
देवान्the gods
देवान्:
Karma (कर्म/Object of ‘दृष्ट्वा’)
TypeNoun
Rootदेव (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया, बहुवचन
असुरैःwith the asuras
असुरैः:
Sahakaraka (सह/Association)
TypeNoun
Rootअसुर (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया, बहुवचन
सहtogether with
सह:
Sahakaraka (सह)
TypeIndeclinable
Rootसह (अव्यय)
Formअव्यय (preposition-like; ‘with’)
कोपितान्angered
कोपितान्:
Visheshana (विशेषण)
TypeVerb
Rootकुप् (धातु) + णिच् + क्त (कृदन्त)
Formणिजन्त ‘कोपय’ + क्त (past passive participle), पुंलिङ्ग, द्वितीया, बहुवचन; ‘angered’ (agreeing with देवान्)
नारदःNārada
नारदः:
Karta (कर्ता/Subject)
TypeNoun
Rootनारद (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, एकवचन
प्राहsaid
प्राह:
Kriya (क्रिया/Verb)
TypeVerb
Rootप्र + अह्/ब्रू (धातु; ‘to say’)
Formलिट् (Perfect), प्रथमपुरुष, एकवचन; परस्मैपद; ‘said/spoke’
संगम्यhaving approached
संगम्य:
Purvakala (पूर्वकाल)
TypeVerb
Rootसम् + गम् (धातु) + ल्यप् (अव्यय-कृदन्त)
Formल्यबन्त-अव्यय (gerund), ‘having approached/met’
पित्रेto (his) father
पित्रे:
Sampradana (सम्प्रदान/Recipient)
TypeNoun
Rootपितृ (प्रातिपदिक)
Formपुंलिङ्ग, चतुर्थी (4th/Dative), एकवचन
ब्रह्मणिat/with Brahmā
ब्रह्मणि:
Adhikarana (अधिकरण/Locative)
TypeNoun
Rootब्रह्मन् (प्रातिपदिक)
Formपुंलिङ्ग/नपुंसकलिङ्ग, सप्तमी (7th/Locative), एकवचन; here used as ‘in/at Brahmā’ i.e., ‘to Brahmā’ (locative of proximity)
हर्षितःdelighted
हर्षितः:
Karta (कर्ता; subject-complement)
TypeVerb
Rootहृष् (धातु) + क्त (कृदन्त)
Formभूतकर्मणि कृदन्त (past participle/क्त), पुंलिङ्ग, प्रथमा, एकवचन; ‘delighted’

Narrator (speaker not explicit in the verse; default dialogue frame: Varāha → Pṛthivī)

Varaha Avatara Context: {"is_varaha_focus":false}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"observer"}

Mathura Mandala: {"is_mathura_related":false}

Dharma Shastra: {"has_dharma_rule":false,"instruction_summary":"Narrative pivot: the sage-messenger Nārada initiates higher mediation by informing Brahmā."}

Vrata Mahatmya: {"has_vrata":false}

Cosmic Boar Symbolism: {"has_symbolism":false}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"role of the sage (ṛṣi-dharma)","core_concept":"When passions inflame collectives, the wise act as conduits to higher discernment; Nārada’s movement signifies that counsel and mediation are dharmic interventions.","practical_application":"In conflict, seek impartial mediators and escalate to principled arbitration rather than retaliatory cycles."}

Subject Matter: ["Cosmology","Ethics","Mythic History"]

Primary Rasa: adbhuta

Secondary Rasa: shanta

Type: cosmic transit / celestial court

Related Themes: 32.32.14 (Brahmā intervenes)

Visual Art Cues: {"scene_description":"Nārada, holding vīṇā, pauses upon seeing the raging battle, then turns upward toward Brahmā’s realm, his face bright with purpose.","item_prompts":["Nārada with vīṇā","battle in background (blurred)","upward movement toward a luminous realm","Brahmā’s distant lotus-seat hinted"],"kerala_mural_prompt":"Kerala mural with Nārada as central figure; vīṇā detailed; background battle stylized; a golden aura indicating ascent to Brahmā.","tanjore_prompt":"Tanjore with Nārada in foreground, gold-leaf halo; minimal battle vignette; ornate depiction of Brahmā’s court in upper register.","mysore_prompt":"Mysore style emphasizing Nārada’s serene yet alert expression; fine detailing of vīṇā; soft gradation toward Brahmaloka.","pahari_prompt":"Pahari miniature with split-scene: lower battle, upper Brahmā’s realm; Nārada bridging diagonally; delicate clouds and lotuses."}

Audio Atmosphere: {"recitation_mood":"narrative-turning, purposeful","suggested_raga":"Kalyani","pace":"medium","voice_tone":"clear and slightly lifted on nāradaḥ prāha"}

C
Classical Literature
P
Purāṇic Narrative
V
Vaiṣṇavism
M
Mythology

FAQs

It exemplifies a common Purāṇic narrative device: framing cosmic conflict (deva–asura struggle) through the movement of authoritative sages (here, Nārada) who relay events to primordial figures such as Brahmā, helping structure the text’s mythic historiography.

No geographic location is explicitly named in this verse; it is set in a generalized cosmic or mythic battlefield context.

The verse does not state a direct moral injunction; its philosophical function is contextual—highlighting communication, counsel, and transmission of knowledge in moments of crisis within the Purāṇic worldview.

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