Prahlada’s Defeat by Nara-Narayana and Victory through Bhakti
तत्र दृष्ट्वा महादेवं नदीं स्नातुमवातरत् अवतीर्णं प्रजग्राह नागः केकरलोहितः
tatra dṛṣṭvā mahādevaṃ nadīṃ snātumavātarat avatīrṇaṃ prajagrāha nāgaḥ kekaralohitaḥ
Di sana, setelah melihat Mahādeva, beliau turun ke sungai untuk mandi. Ketika beliau telah turun, seekor ular bernama Kekara-lohita menangkapnya.
{ "primaryRasa": "bhayanaka", "secondaryRasa": "adbhuta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
Even in sacred acts (snāna after darśana), obstacles may arise; the narrative pattern typically teaches steadiness in dharma and reliance on divine order rather than complacency in piety.
It belongs to narrative/episode material (ākhyāna) supporting tīrtha-māhātmya and dharma themes, not to sarga/pratisarga genealogical catalogues directly.
The nāga’s seizure can symbolize latent dangers (inner passions/saṃskāras) that surface precisely at liminal moments (descending into waters), while Mahādeva’s presence signals that Śaiva grace/order frames the episode’s resolution.