Prahlada’s Defeat by Nara-Narayana and Victory through Bhakti
आयाता शशिनो नूनमियं कान्तिर्निशाक्षये रविरश्मिप्रतापार्तिभीता शरणमागता
āyātā śaśino nūnamiyaṃ kāntirniśākṣaye raviraśmipratāpārtibhītā śaraṇamāgatā
Sesungguhnya sinar bulan ini telah datang pada penghujung malam, takut akan pedih yang membakar oleh pancaran sinar matahari, lalu mencari perlindungan.
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The verse uses aesthetic imagery to show how perception mythologizes beauty: it turns a person’s charm into cosmic radiance. Ethically, it continues the warning that fascination can eclipse discernment, as the mind poetically ‘explains’ attraction.
Alaṅkāra-rich narrative segment (supporting ākhyāna) rather than a pancalakṣaṇa core (sarga, pratisarga, etc.). It is embedded didactic poetry within Purāṇic storytelling.
Moonlight ‘seeking refuge’ from sunlight symbolizes delicate allure withdrawing before harsh clarity—i.e., the enchanting quality of night-like fascination fading when the ‘sun’ of wakeful discrimination rises.