Prahlada’s Defeat by Nara-Narayana and Victory through Bhakti
कदलीस्तम्भसदृशैरूर्ध्वमूलैरथोरुभिः विभाति सा सुचार्वङ्गी पद्मकिढ्जल्कसन्निभा
kadalīstambhasadṛśairūrdhvamūlairathorubhiḥ vibhāti sā sucārvaṅgī padmakiḍhjalkasannibhā
Dengan paha laksana batang pisang, seakan berakar di atas (menirus dengan anggun), dia bersinar—beranggota indah—bagaikan kilau halus yang dikaitkan dengan makhluk yang lahir dari teratai.
{ "primaryRasa": "shringara", "secondaryRasa": "adbhuta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
The text frames beauty as a manifestation of auspiciousness (śrī) and harmony; the Goddess’s form becomes a didactic symbol that the cosmos is intelligible through proportion, balance, and auspicious signs.
Primarily stuti/varṇana within an ākhyāna setting; it does not advance sarga/pratisarga/vaṃśa/Manvantara/vaṃśānucarita directly.
Plantain-trunk imagery connotes fertility, abundance, and auspicious household prosperity—key Lakṣmī associations—while the lotus-shimmer evokes purity and spontaneous grace arising from the primordial waters.