Nara-Narayana’s Tapas, Indra’s Temptation, and the Burning of Kama: The Origin of Ananga and the Shiva-Linga Episode
ततस्तमग्रतो दृष्ट्वा क्रोधाध्मातदृशा हरः स्मरमालोकयामास शिखाग्राच्चरणान्तिकम्
tatastamagrato dṛṣṭvā krodhādhmātadṛśā haraḥ smaramālokayāmāsa śikhāgrāccaraṇāntikam
Lalu, melihatnya di hadapan, Hara—dengan mata membengkak kerana murka—memandang Smara (Kāma) dari hujung sanggulnya hingga ke kaki.
{ "primaryRasa": "raudra", "secondaryRasa": "bhayanaka", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
Desire that attempts to disturb concentrated consciousness meets discerning awareness. The ‘measuring gaze’ implies scrutiny: impulses are to be seen fully—beginning to end—rather than indulged blindly.
Deva-carita within narrative (vaṃśānucarita-type divine episode). It also supports dharma teaching indirectly by dramatizing conquest of kāma (one of the inner enemies) through higher discipline.
Śiva’s gaze from ‘topknot to feet’ symbolizes total comprehension and sovereign control over the field of embodiment. In the broader Kāma-dahana motif, the gaze foreshadows transformation of desire—either its destruction as distraction or its sublimation into spiritual power.