Vamana Purana — Kurukshetra & Prithudaka Tirtha, Shloka 58
Kurukshetra, Pṛthūdaka Tīrtha, and the Marriage of Saṃvaraṇa with Tapatī
अथाजगाम स नृपस्य पुत्रस्तमाश्रमं ब्राह्मणपुङ्कवस्य दृष्ट्वा वसिष्ठं प्रणिपत्य मूर्ध्ना स्थितस्त्वपश्यत् तपतीं नरेन्द्रः // वम्प्_22.57 दृष्ट्वा च तां पद्मविशालनेत्रां तां पूर्वदृष्टामिति चिन्तयित्वा पप्रच्छ केयं ललना द्विजेन्द्र स वारुणिः प्राह नराधिपेन्द्रम्
athājagāma sa nṛpasya putrastamāśramaṃ brāhmaṇapuṅkavasya dṛṣṭvā vasiṣṭhaṃ praṇipatya mūrdhnā sthitastvapaśyat tapatīṃ narendraḥ // VamP_22.57 dṛṣṭvā ca tāṃ padmaviśālanetrāṃ tāṃ pūrvadṛṣṭāmiti cintayitvā papraccha keyaṃ lalanā dvijendra sa vāruṇiḥ prāha narādhipendram
Kemudian putera raja itu tiba di pertapaan Brahmana yang utama itu. Melihat Vasiṣṭha, dia menundukkan kepala memberi hormat; berdiri di situ, sang penguasa pun melihat Tapatī. Melihat gadis bermata laksana teratai, besar dan luas, serta terlintas, “Dialah yang kulihat dahulu,” dia bertanya, “Siapakah gadis ini, wahai yang terbaik di antara kaum dwija?” Lalu Vāruṇi menjawab kepada tuan manusia itu.
{ "primaryRasa": "shringara", "secondaryRasa": "adbhuta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
FAQs
Royal power is shown subordinated to spiritual authority: the prince first performs praṇipāta to Vasiṣṭha before pursuing personal desire—an ethic of humility and seeking wise counsel.
Vamśānucarita: the scene advances a lineage-linked romance that typically culminates in marriage and progeny, which Purāṇas use to bridge genealogies and historical-legendary cycles.
The ‘lotus-eyed’ description signals auspiciousness and divine/solar splendor; the repeated ‘seen before’ (pūrvadṛṣṭā) encodes a fate-like recognition, common in Purāṇic courtship narratives.