जयेति तुष्टुवुश्चैनं वादित्राण्यभ्यवादयन् । ननृस्तष्टुवुश्चैवं कराघातांश्च चक्रिरे
jayeti tuṣṭuvuścainaṃ vāditrāṇyabhyavādayan | nanṛstaṣṭuvuścaivaṃ karāghātāṃśca cakrire
Sambil berseru “Kemenangan!”, mereka memuji Baginda; alat-alat muzik pun dipalu bergema. Mereka menari dan menyanyikan kemuliaan-Nya, serta bertepuk tangan dalam sukacita.
Narrator (Sūta/Lomaharṣaṇa, Maheshvara-khaṇḍa style)
Scene: Devas shout ‘Jaya!’ while drums, conches, and cymbals sound; gandharvas sing; apsarases dance; hands clap in rhythm around Skanda as the honored commander.
Devotional praise (stuti) and collective rejoicing are presented as natural responses to divine manifestation and dharmic victory.
No tīrtha is specified; the focus is on divine celebration rather than sacred geography.
No formal ritual is prescribed, but the verse models devotional acts: chanting ‘jaya’, music, dance, and praise.