शनिदेशे मध्यरात्रौ महीसागरसंगमे । जातीजं रावणो लिंगं जपन्नाम सुदुर्जयम्
śanideśe madhyarātrau mahīsāgarasaṃgame | jātījaṃ rāvaṇo liṃgaṃ japannāma sudurjayam
Di wilayah Śani, pada tengah malam, di pertemuan daratan dan lautan, Rāvaṇa memuja liṅga daripada kayu jāti sambil melafazkan Nama “Sudurjaya”, Yang Tidak Terkalahkan.
Lomaharṣaṇa (Sūta), per Māheśvarakhaṇḍa default attribution
Tirtha: Mahī-sāgara-saṅgama in Śani-deśa (Sudurjaya-liṅga)
Type: sangam
Scene: At midnight on a moonlit shore where waves meet the earth, Rāvaṇa performs intense japa before a small liṅga carved from fragrant jāti-wood; Śani’s austere region is suggested by dark skies and a stern, fated atmosphere.
Śiva is ‘Sudurjaya’, beyond conquest by any power; intense discipline of time and place (midnight, liminal shore) is framed as potent devotion.
A seashore confluence (mahī–sāgara-saṃgama) is praised as a liminal sacred setting, but the text here does not name a particular coastal tīrtha.
Japa of the name ‘Sudurjaya’ while worshipping a jāti-made liṅga, specifically performed at midnight at the land–ocean meeting.