Śumbha–Niśumbha’s Mobilization After Devī’s Victories
Battle Muster and Omens
शरैश्शितैश्शूलपरश्वधायुधैः सभिन्दिपालैः परिघैश्शरासनैः । भुशुण्डिकाप्रासक्षुरप्रसंज्ञकैर्महासिभिः संयुयुधे मदोद्धतैः
śaraiśśitaiśśūlaparaśvadhāyudhaiḥ sabhindipālaiḥ parighaiśśarāsanaiḥ | bhuśuṇḍikāprāsakṣuraprasaṃjñakairmahāsibhiḥ saṃyuyudhe madoddhataiḥ
Mabuk oleh keangkuhan, mereka bertempur dengan anak panah yang tajam, trisula, kapak dan pelbagai senjata; dengan bhindipāla (lembing lontar), belantan besi dan busur; serta dengan bhuśuṇḍikā, tombak, bilah setajam pisau cukur, dan pedang-pedang besar—menerjang ke medan perang dengan daya yang garang.
Suta Goswami
Tattva Level: pasha
The verse highlights “mada” (arrogant intoxication) driving beings into violent conflict; in Shaiva Siddhanta this is a form of pāśa (bondage) that veils the soul, and only turning toward Pati (Shiva) with humility leads beyond such bondage.
The battlefield imagery contrasts outer power with inner surrender: worship of Saguna Shiva (including the Linga) trains the devotee to replace pride and aggression with devotion, discipline, and reliance on Shiva’s grace rather than mere strength.
A practical takeaway is to counter “mada” through japa of the Panchakshara (Om Namaḥ Śivāya), along with Tripuṇḍra (bhasma) and Rudrāksha as reminders of humility, self-control, and Shiva-centered living.