दक्षयज्ञोत्तरवृत्तान्तः
Post–Dakṣa-Yajña Developments and the Appeal to Viṣṇu
नानामणिमयैश्शृंगैः शोभमानं समंततः । नानाधातुविचित्रं वै नानाद्रुमलताकुलम्
nānāmaṇimayaiśśṛṃgaiḥ śobhamānaṃ samaṃtataḥ | nānādhātuvicitraṃ vai nānādrumalatākulam
Ia bersinar di segenap penjuru dengan puncak-puncak yang terbentuk daripada pelbagai permata. Beraneka warna oleh galian yang berbeza, ia dipenuhi pelbagai jenis pepohon dan sulur menjalar yang bersimpul-simpul.
Suta Goswami
Tattva Level: pasha
Sthala Purana: A descriptive passage of a divine mountain/region (a deva-siddha frequented landscape) in the Satīkhaṇḍa narrative; not a Jyotirliṅga-māhātmya episode.
Significance: Contemplation of Śiva’s sacred geography: the mind is drawn from gross perception to subtle wonder (vismaya), preparing receptivity for grace (anugraha) later in the narrative.
Shakti Form: Satī
Role: nurturing
The gem-like peaks, minerals, trees, and creepers portray a sanctified realm where nature itself reflects Śiva’s śakti—beauty, order, and auspiciousness—inviting the devotee to perceive the divine in the manifested world and turn the mind toward liberation.
Such descriptions support saguna-upāsanā: contemplating Śiva’s sacred abode and splendor steadies devotion, which culminates in focused worship of the Liṅga as the accessible form of the supreme Pati who pervades and transcends the world.
Practice śiva-dhyāna by visualizing a radiant, pure sacred landscape while repeating the Pañcākṣarī (Om Namaḥ Śivāya); this supports inner purification akin to preparing for Liṅga-pūjā with bhasma and disciplined devotion.