व्योमवाणी-श्रवणं, गणानां शरणागमनं, सती-दाह-वृत्तान्तः — Hearing the Heavenly Voice; The Gaṇas Seek Refuge; Account of Satī’s Self-Immolation
क्षणेन भस्मसात्कुर्यां ब्रह्मांडमुत किं हर । क्षणेन भस्मसात्कुर्याम्सुरान्वा किं मुनीश्वरान्
kṣaṇena bhasmasātkuryāṃ brahmāṃḍamuta kiṃ hara | kṣaṇena bhasmasātkuryāmsurānvā kiṃ munīśvarān
Wahai Hara (Śiva), dalam sekelip mata aku mampu menjadikan seluruh “telur kosmik” (alam semesta) menjadi abu—apalah ertinya itu? Dalam sekelip mata aku juga mampu membakar para dewa, bahkan para resi agung, hingga menjadi abu.
Sati (addressing Lord Shiva as Hara)
Tattva Level: pashu
Shiva Form: Vīrabhadra
Sthala Purana: The verse belongs to the Dakṣa-yajña cycle that, in later Śākta-Śaiva sthala traditions, culminates in Satī’s fall and the emergence of Śakti-pīṭhas; not a Jyotirliṅga-specific episode in this passage.
Mantra: क्षणेन भस्मसात्कुर्यां ब्रह्मांडमुत किं हर । क्षणेन भस्मसात्कुर्याम्सुरान्वा किं मुनीश्वरान्
Type: stotra
Shakti Form: Satī
Role: destructive
Cosmic Event: pralaya-imagery (instant ash-making of brahmāṇḍa as hyperbolic dissolution motif)
The verse highlights that even the greatest destructive capacity is insignificant before Shiva (Hara) and true dharma; Shaiva Siddhanta emphasizes humility and surrender to Pati (Shiva) rather than pride in power.
Addressing Shiva as Hara points to Saguna Shiva as the compassionate Lord who governs dissolution; Linga-worship trains the devotee to see the cosmos as transient and to seek refuge in Shiva beyond creation and destruction.
Meditate on impermanence using Tripuṇḍra-bhasma as a reminder that all forms end in ash, and repeat the Panchākṣarī mantra “Om Namaḥ Śivāya” with the attitude of surrender rather than domination.