महाकालज्योतिर्लिङ्गमाहात्म्ये चन्द्रसेन-चिन्तामणि-प्रसङ्गः
Mahākāla Jyotirliṅga Māhātmya: The Episode of King Candrasena and the Cintāmaṇi
तत्रापश्यत्स्वजननीं स्वपंतीं दिव्यलक्षणाम् । रत्नालंकारदीप्तांगीं साक्षात्सुरवधूमिव
tatrāpaśyatsvajananīṃ svapaṃtīṃ divyalakṣaṇām | ratnālaṃkāradīptāṃgīṃ sākṣātsuravadhūmiva
Di sana dia melihat ibunya sendiri sedang lena, bertanda dengan ciri-ciri suci yang membawa tuah; anggota tubuhnya bersinar oleh perhiasan permata, seolah-olah seorang bidadari para dewa di hadapan mata.
Suta Goswami
Tattva Level: pashu
Shiva Form: Umāpati
Significance: Shows grace extending to family/household: the mother appears ‘divya-lakṣaṇā’ like a devī/apsaras—Śiva’s anugraha sanctifies relational life, not only ascetic life.
Shakti Form: Pārvatī
Role: nurturing
Cosmic Event: Night setting heightens the contrast of ornament-radiance; auspiciousness (śrī) shines in darkness as a sign of divine favor.
The verse highlights “divya-lakṣaṇa” (divine auspicious marks) and radiant purity, suggesting that dharmic virtue and Shiva’s grace manifest outwardly as serenity, beauty, and sattvic splendor even in ordinary scenes like sleep.
Though the verse is descriptive, it supports Saguna devotion by training the mind to recognize sacredness in form—an attitude central to Linga worship, where the devotee learns to perceive Shiva’s presence through auspicious signs and sanctified appearances.
A practical takeaway is “darśana-bhāvanā”: contemplative seeing—mentally offering reverence to auspicious forms while repeating the Panchākṣarī (Om Namaḥ Śivāya), cultivating inner purity and devotional attention.