ततस्तु स्तुवतां तेषां सूतानां पाणिवादकाः।अपदानान्युदाहृत्य पाणिवादा नवादयन्।।।।
tatas tu stuvatāṁ teṣāṁ sūtānāṁ pāṇivādakāḥ | apadānāny udāhṛtya pāṇivādā navādayan ||
Kemudian, ketika para penggubah puji-pujian itu bernyanyi, para pemukul tepuk tangan mengikut rentak—menyebutkan kisah-kisah gemilang raja dan membunyikan tepukan berirama.
While the bards sang the praise of the king, those who praise clapping their palms clapped, citing the wonderful deeds of Dasaratha.
Dharma is supported by remembrance of worthy deeds: public recitation of a ruler’s apadāna functions as moral education and social validation of righteous kingship.
Court performers accompany bardic praise with rhythmic clapping, recounting notable deeds in a celebratory palace setting.
Gratitude and civic admiration—preserving a ruler’s reputation through collective performance and recollection.