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Shloka 7

Dharma of the Conduct of the Vānaprastha Āśrama

Forest-Dweller Discipline

अग्निहोत्रं च जुहुयात्पंचयज्ञान्समाचरेत् । उत्पन्नैर्विविधैर्मेध्यैः शाकमूलफलेन वा

agnihotraṃ ca juhuyātpaṃcayajñānsamācaret | utpannairvividhairmedhyaiḥ śākamūlaphalena vā

Hendaklah ia juga mempersembahkan Agnihotra dan melaksanakan lima Mahāyajña dengan tertib, menggunakan apa jua yang suci dan ada—pelbagai hasil yang tumbuh, atau sayur, umbi dan buah.

अग्निहोत्रम्Agnihotra rite
अग्निहोत्रम्:
कर्म (Karma/कर्म)
TypeNoun
Rootअग्निहोत्र (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd), एकवचन
and
:
समुच्चय (Coordination/समुच्चय)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयार्थक अव्यय
जुहुयात्should offer
जुहुयात्:
क्रिया (Kriyā/क्रिया)
TypeVerb
Root√हु (धातु)
Formविधिलिङ् (Optative), प्रथम-पुरुष (3rd), एकवचन; परस्मैपद — 'should offer (oblation)'
पञ्च-यज्ञान्the five sacrifices
पञ्च-यज्ञान्:
कर्म (Karma/कर्म)
TypeNoun
Rootपञ्चन् (संख्या-प्रातिपदिक) + यज्ञ (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd), बहुवचन; द्विगु-समासः — 'the five sacrifices'
समाचरेत्should perform
समाचरेत्:
क्रिया (Kriyā/क्रिया)
TypeVerb
Root√सम्-आ-चर् (धातु)
Formविधिलिङ् (Optative), प्रथम-पुरुष (3rd), एकवचन; परस्मैपद — 'should perform/practice'
उत्पन्नैःwith produced (items)
उत्पन्नैः:
करण (Karaṇa/करण)
TypeAdjective
Rootउत्पन्न (कृदन्त-प्रातिपदिक; √उत्-√पद्/√पद्)
Formपुं/नपुंसक, तृतीया-विभक्ति (3rd/तृतीया), बहुवचन; भूतकृदन्त विशेषण — 'with what has arisen/been produced'
विविधैःvarious
विविधैः:
करण-विशेषण (Karaṇa-viśeṣaṇa/करण-विशेषण)
TypeAdjective
Rootविविध (प्रातिपदिक)
Formपुं/नपुंसक, तृतीया (3rd), बहुवचन; विशेषण
मेध्यैःpure/sacrificially fit
मेध्यैः:
करण-विशेषण (Karaṇa-viśeṣaṇa/करण-विशेषण)
TypeAdjective
Rootमेध्य (प्रातिपदिक)
Formपुं/नपुंसक, तृतीया (3rd), बहुवचन; 'pure/fit for sacrifice'
शाक-मूल-फलेनwith vegetables, roots, and fruits
शाक-मूल-फलेन:
करण (Karaṇa/करण)
TypeNoun
Rootशाक (प्रातिपदिक) + मूल (प्रातिपदिक) + फल (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया (3rd), एकवचन; समाहार-द्वन्द्वः — 'with vegetables, roots, and fruits (as a set)'
वाor
वा:
विकल्प (Alternative/विकल्प)
TypeIndeclinable
Rootवा (अव्यय)
Formविकल्पार्थक अव्यय (disjunction) — 'or'

Pulastya (to Bhīṣma)

Concept: Maintain the sacred fires and pañca-mahāyajñas with whatever pure means are available; sincerity and purity sustain dharma more than abundance.

Application: Keep daily ‘offerings’ consistent—time, service, charity, prayer—without waiting for perfect resources; prioritize purity and regularity.

Primary Rasa: shanta

Secondary Rasa: vira

Type: temple

Visual Art Cues: {"scene_description":"Before a neatly built fire-altar in a forest clearing, the practitioner pours a small ladle of offering into the flames, which rise in clean spirals. Nearby lie baskets of vegetables, roots, and fruits—humble yet ‘medhya’—while the five great sacrifices are symbolized by five small altars or five ritual stations around the central fire.","primary_figures":["Pulastya (as instructing presence)","vratin performing agnihotra","Agni (personified in flame form)"],"setting":"forest yajña-vedi with kusa grass, ladle, water pot, offering bowls of śāka-mūla-phala, faint smoke rising into canopy","lighting_mood":"divine radiance from fire","color_palette":["flame orange","ash white","copper","forest green","sandalwood beige"],"tanjore_prompt":"Tanjore painting style: agnihotra at a forest altar, central Agni flame rendered with gold leaf and embossed highlights, vratin offering with ladle, baskets of vegetables/roots/fruits as medhya dravya, ornate border, rich reds and greens, traditional ritual implements detailed with jewel-like accents.","pahari_prompt":"Pahari miniature style: forest yajña scene with delicate brushwork, small fire-altar and thin smoke, cool greens contrasted with warm flame, refined figures performing pañca-mahāyajña stations, lyrical naturalism and calm devotion.","kerala_mural_prompt":"Kerala mural style: bold outlines, stylized Agni with expressive flame-tongues, vratin in ochre, ritual stations indicated by symbolic motifs, warm red-yellow background glow, temple mural composition.","pichwai_prompt":"Pichwai cloth painting style: central sacred fire surrounded by ornate floral borders and lotus motifs, deep blue ground with gold flame detailing, symbolic five-yajña emblems around the fire, peacocks and cows at margins for auspiciousness, intricate patterning echoing mantra rhythm."}

Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Bhupali","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["fire crackle","wooden ladle pour","soft Vedic chant cadence","conch shell (distant)"]}

Sandhi Resolution Notes: जुहुयात्पंचयज्ञान्समाचरेत् = जुहुयात् पञ्च-यज्ञान् समाचरेत्; उत्पन्नैर्विविधैर्मेध्यैः = उत्पन्नैः विविधैः मेध्यैः; शाकमूलफलेन = शाक-मूल-फलेन (समाहार-द्वन्द्व).

A
Agnihotra
P
Pañca-yajña

FAQs

They commonly denote the daily duties of a householder: offerings to gods (deva-yajña), ancestors (pitṛ-yajña), beings/spirits (bhūta-yajña), humans/guests (manuṣya/atithi-yajña), and recitation/study of Veda (brahma-yajña).

No. It emphasizes performing the rites with whatever pure, available produce one has—explicitly including simple offerings like vegetables, roots, and fruits.

It teaches steadiness in dharma: daily sacred duties should be maintained according to one’s means, prioritizing purity and sincerity over display or luxury.