Shloka 184
Genealogy of the Ancestors (Pitṛs) and the Procedure of Śrāddha
ततस्तु वैश्वदेवांते सभृत्यसुतबांधवः । भुंजीतातिथिसंयुक्तः सर्वं पितृनिषेवितं
tatastu vaiśvadevāṃte sabhṛtyasutabāṃdhavaḥ | bhuṃjītātithisaṃyuktaḥ sarvaṃ pitṛniṣevitaṃ
Kemudian, setelah selesai persembahan Vaiśvadeva, bersama para hamba, anak-anak lelaki dan kaum kerabat—serta ditemani para tetamu—hendaklah ia menjamah hidangan, setelah terlebih dahulu mempersembahkan semuanya dengan tertib kepada para Pitṛ (leluhur).
Unspecified narrator (Dharmic instruction within the Sṛṣṭikhaṇḍa context)
Concept: One should eat only after offerings—honoring devas (Vaiśvadeva), Pitṛs, and guests—then share the meal with family and dependents.
Application: Before eating, offer a portion in prayer, remember ancestors, and ensure guests/others are served first; cultivate inclusive nourishment rather than isolated consumption.
Primary Rasa: shanta
Secondary Rasa: karuna
Visual Art Cues: {"scene_description":"After the final oblations of Vaiśvadeva, a household gathers: servants, sons, and relatives sit in orderly rows as a guest is welcomed with water and a seat. A small portion is set aside with solemnity for the Pitṛs, and only then does the family partake—turning the meal into a rite of remembrance and generosity.","primary_figures":["gṛhastha","atithi (guest)","family members","Pitṛs (subtle ancestral presence)"],"setting":"inner courtyard dining area with banana leaves or wooden plates, brass lotas, a small altar corner with remnants of the fire rite","lighting_mood":"temple lamp-lit","color_palette":["lamp-gold","leaf green","ivory white","vermillion","deep umber"],"tanjore_prompt":"Tanjore painting style: a sanctified meal scene—guest seated prominently, householder offering arghya; gold leaf on lamps and vessels, rich reds and greens, ornate jewelry on figures, stylized ancestral silhouettes in a soft aureole above the offering plate, symmetrical composition with decorative borders.","pahari_prompt":"Pahari miniature style: intimate domestic hospitality—fine brushwork shows banana-leaf plates, gentle gestures of serving; cool pastel walls, delicate textiles, a respectful guest, and a faint ethereal suggestion of Pitṛs receiving the offering; lyrical, humane mood.","kerala_mural_prompt":"Kerala mural style: bold outlines of seated family rows, the guest honored at center; warm red and yellow fields, green accents, rhythmic repetition of serving hands; a subtle upper register showing Pitṛs as dignified figures receiving the essence of offerings.","pichwai_prompt":"Pichwai cloth painting style: communal prasāda-like meal framed by lotus borders; peacocks and floral motifs around the courtyard; deep blue background with gold highlights; conch-disc motifs subtly indicate the offering-to-Vishnu spirit behind the meal."}
Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Desh","pace":"moderate-narrative","voice_tone":"serene","sound_elements":["soft serving sounds","clinking brass","low Vedic chant cadence","evening lamp crackle","gentle courtyard breeze"]}
Sandhi Resolution Notes: वैश्वदेवांते = वैश्वदेव-अन्ते; सभृत्यसुतबांधवः = स-भृत्य-सुत-बान्धवः; भुंजीतातिथिसंयुक्तः = भुञ्जीत + अतिथि-संयुक्तः; पितृनिषेवितं = पितृ-निषेवितम्
FAQs
It prescribes the gṛhastha (householder) order: after finishing the Vaiśvadeva offering, one should ensure due service to the Pitṛs and include guests, then eat with one’s family and dependents.
By stating “ātithi-saṃyuktaḥ,” it frames eating as an act done in the presence of (and after honoring) guests—implying that feeding guests is part of righteous daily living.
Personal consumption should follow responsibility: honor sacred duties (daily offerings), respect ancestors, and care for guests and dependents before oneself.