Shloka 13
Description of the Worship of the Planets
भार्गवस्यापि वक्ष्यामि पूजनं नृपतेधुना । यत्कृत्वा सर्वकामाप्तिः सम्यक्पुंसां प्रजायते
bhārgavasyāpi vakṣyāmi pūjanaṃ nṛpatedhunā | yatkṛtvā sarvakāmāptiḥ samyakpuṃsāṃ prajāyate
Wahai raja, kini akan aku jelaskan juga pemujaan kepada Bhārgava; dengan melaksanakannya dengan tepat, akan lahir bagi manusia pencapaian sempurna segala hajat yang diingini.
Unspecified narrator addressing a king (nṛpati); likely within a Purāṇic dialogue frame
Concept: Properly performed worship (pūjanam) yields siddhi—fulfillment of aims—when grounded in right method and intent.
Application: Approach any sādhana with clarity of procedure, sincerity, and consistency; align desires with dharma and offer the results back to the divine.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Visual Art Cues: {"scene_description":"A sage addresses a crowned king seated on a low throne beside a freshly swept ritual pavilion. In the foreground, attendants arrange vessels and powders, while a small altar awaits Bhārgava’s icon—an avatāra presence felt as calm, disciplined power.","primary_figures":["Purāṇic narrator-sage","nṛpati (king)","Bhārgava/Paraśurāma (icon or envisioned form)"],"setting":"Ritual pavilion with kusa grass, kalasha pots, conch and bell, and an altar prepared for a forthcoming maṇḍala and offerings.","lighting_mood":"golden dawn","color_palette":["ivory white","saffron gold","sandalwood beige","deep maroon","smoky incense gray"],"tanjore_prompt":"Tanjore painting style: a sage instructing a jeweled king before a Bhārgava altar, heavy gold leaf halos, ornate arch (prabhāvali), rich maroons and emerald accents, gem-studded ornaments, conch and bell on the floor, sacred calm and auspicious phala-śruti mood.","pahari_prompt":"Pahari miniature style: intimate courtly pavilion with a sage teaching a king, delicate linework, pale ivories and soft ochres, distant hills and a river hinted beyond the pavilion, lyrical stillness, refined faces, small altar awaiting Bhārgava’s worship.","kerala_mural_prompt":"Kerala mural style: bold outlined sage and king in a temple-like mandapa, flat yet vibrant pigments, stylized eyes, ritual vessels and lamps, Bhārgava’s presence suggested by an icon with a radiant aura, red-yellow-green dominant palette with white highlights.","pichwai_prompt":"Pichwai cloth painting style: devotional pavilion scene framed by lotus and floral borders, central altar with auspicious symbols, attendants preparing offerings, deep indigo background with gold detailing; though pichwai is Krishna-centric, render Bhārgava’s avatāra icon with Vaishnava emblems and ornate textile patterns."}
Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Yaman","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["temple bells","soft conch shell","low murmur of mantra","crackling ghee lamp"]}
Sandhi Resolution Notes: भार्गवस्यापि = भार्गवस्य + अपि; नृपतेधुना = नृपते + अधुना; यत्कृत्वा = यत् + कृत्वा; सम्यक्पुंसां = सम्यक् + पुंसाम्.
FAQs
“Bhārgava” commonly denotes a figure of the Bhṛgu lineage—often Paraśurāma in Purāṇic contexts—though it can also function as a lineage-epithet depending on the surrounding passage.
It states that properly performing the worship described results in “sarva-kāmāpti”—the fulfillment/attainment of all desired aims—for people.
Not here; it serves as a transition and benefit-statement, indicating that the detailed procedure of Bhārgava’s worship will be explained next.