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Shloka 117

The Marks of Merit and the Destinies of Beings

Divine vs Demonic Traits

अतिपुण्याल्लभेदायुः शोभनाः पुण्यकारिणः । पापात्मानो लभंतेऽन्तं ये च दैत्यादयो नराः

atipuṇyāllabhedāyuḥ śobhanāḥ puṇyakāriṇaḥ | pāpātmāno labhaṃte'ntaṃ ye ca daityādayo narāḥ

Dengan puṇya yang melimpah diperoleh umur panjang; orang berbudi, pelaku dharma, mencapai hasil yang baik dan berkat. Namun yang berhati dosa menemui kesudahan, seperti manusia yang bersifat Daitya dan seumpamanya.

अतिपुण्यात्from great merit
अतिपुण्यात्:
Apadana (अपादान/Ablative-cause)
TypeNoun
Rootअति + पुण्य (प्रातिपदिक)
Formनपुंसकलिङ्ग (पुण्य), पञ्चमी (5th/Ablative), एकवचन; ‘अति-पुण्य’ (great merit)
लभेत्would obtain
लभेत्:
Kriyā (क्रिया/Verbal action)
TypeVerb
Root√लभ् (धातु)
Formविधिलिङ् (Optative), प्रथमपुरुष (3rd person), एकवचन; परस्मैपद
आयुःlifespan
आयुः:
Karma (कर्म/Object)
TypeNoun
Rootआयुस् (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया/प्रथमा (Acc/Nom), एकवचन; अत्र कर्मरूपेण (object)
शोभनाःexcellent/auspicious
शोभनाः:
Kartṛ-samānādhikaraṇa (कर्तृसमानााधिकरण/Subject qualifier)
TypeAdjective
Rootशोभन (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, बहुवचन; विशेषण
पुण्यकारिणःdoers of merit
पुण्यकारिणः:
Karta (कर्ता/Subject)
TypeNoun
Rootपुण्य + कारिन् (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, बहुवचन; ‘पुण्य-कारिन्’ (doer of merit)
पापात्मानःsinful ones
पापात्मानः:
Karta (कर्ता/Subject)
TypeNoun
Rootपाप + आत्मन् (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, बहुवचन; ‘पाप-आत्मन्’ (sinful-souled)
लभन्तेobtain
लभन्ते:
Kriyā (क्रिया/Verbal action)
TypeVerb
Root√लभ् (धातु)
Formलट्-लकार (Present), प्रथमपुरुष (3rd person), बहुवचन; आत्मनेपद
अन्तम्the end/death
अन्तम्:
Karma (कर्म/Object)
TypeNoun
Rootअन्त (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd/Accusative), एकवचन
येwho
ये:
Karta (कर्ता/Subject)
TypeNoun
Rootयद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, बहुवचन; सम्बन्धसूचक (relative pronoun)
and
:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक-अव्यय (conjunction)
दैत्यादयःdemons and others
दैत्यादयः:
Karta (कर्ता/Subject)
TypeNoun
Rootदैत्य + आदि (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, बहुवचन; ‘दैत्य-आदि’ (demons and others)
नराःmen/people
नराः:
Karta (कर्ता/Subject)
TypeNoun
Rootनर (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा, बहुवचन

Unspecified (narrative voice within Sṛṣṭikhaṇḍa context)

Concept: Abundant merit yields longevity and auspicious results; sinful disposition hastens ruin—‘daitya-like’ conduct leads to destructive ends.

Application: Choose daily actions that accumulate puṇya—truth, charity, restraint, worship—while avoiding daitya-like traits (cruelty, arrogance, intoxication, exploitation).

Primary Rasa: shanta

Secondary Rasa: bhayanaka

Visual Art Cues: {"scene_description":"A split-panel cosmic tableau: on one side, a long-lived virtuous figure offers charity and worship, surrounded by blooming lotuses and a rising sun; on the other, a shadowy ‘daitya-like’ man with clenched fist and cruel gaze walks toward a crumbling path under a darkening sky. Above both, an unseen divine order is suggested by a faint Viṣṇu-cakra pattern in the clouds, implying karmic governance.","primary_figures":["a dhārmika householder or sage","a daitya-like human figure (āsurī disposition)","subtle celestial witnesses (gandharvas/apsarās as silhouettes)"],"setting":"Cosmic moral landscape with two diverging roads, one leading to a bright temple grove, the other to a barren ravine.","lighting_mood":"divine radiance","color_palette":["sunrise gold","leaf green","lotus pink","storm violet","charcoal black"],"tanjore_prompt":"Tanjore painting style: dual-path composition with gold leaf radiance over the virtuous path, ornate temple arch and lotus motifs; the darker path rendered with subdued tones; central faint Viṣṇu-cakra in gold, gem-like highlights on auspicious side.","pahari_prompt":"Pahari miniature style: two winding paths across a hillside—one lush and sunlit, one rocky and shadowed; delicate figures with refined expressions; cool-to-warm gradient sky; lyrical moral allegory.","kerala_mural_prompt":"Kerala mural style: bold-outlined allegorical scene with contrasting halves; vivid greens/yellows for dharma side, deep reds/blacks for adharma side; stylized cakra motif overhead; temple-wall composition.","pichwai_prompt":"Pichwai cloth painting style: symbolic lotus-and-thorn pattern dividing the canvas; auspicious side with lotus garlands and lamp motifs, ominous side with withered vines; deep indigo base with gold highlights and ornate borders."}

Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Durga","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["conch shell (soft)","temple bells","low mridangam pulse","wind hush"]}

Sandhi Resolution Notes: अतिपुण्यात् + लभेत् → अतिपुण्याल्लभेत् (त् + ल् → ल्ल्); लभन्ते + अन्तम् → लभंतेऽन्तं (ए + अ → एऽ).

D
Daityas

FAQs

It links outcomes to karma: abundant puṇya supports longevity and auspicious results, while pāpa leads to ruin or an early end.

Daityas are a class of mythic anti-gods/demonic beings in Purāṇic literature; here they function as a moral comparison for people with destructive, unrighteous tendencies.

Cultivating merit through righteous conduct is portrayed as life-supporting and beneficial, whereas persistent wrongdoing is depicted as self-destructive and ultimately ending in downfall.