Shloka 56
The Glory of Dhātrī (Āmalakī) and Tulasī: Ekādaśī Observance and Protection from Preta States
हीनप्रतिज्ञाश्चासत्यास्तथा भग्नव्रता नराः । नलिनीदलभुक्ताश्च ते प्रेताः कर्मजा भुवि
hīnapratijñāścāsatyāstathā bhagnavratā narāḥ | nalinīdalabhuktāśca te pretāḥ karmajā bhuvi
Orang yang berdusta, mungkir janji, dan memecahkan brata; mereka, memakan daun teratai, menjadi preta yang merayau di bumi, lahir daripada buah karma mereka sendiri.
Unspecified (narratorial voice within Adhyaya 60 context)
Concept: Satya (truthfulness) and vrata-niṣṭhā (steadfastness in vows) protect one from degrading post-mortem states; breach of pledge ripens as preta-hood.
Application: Keep promises, avoid performative religiosity, and complete vowed disciplines (fasts, japa, charity) without deceit; if a vow must be altered, do so with confession, counsel, and compensatory dharma.
Primary Rasa: bhayanaka
Secondary Rasa: bibhatsa
Visual Art Cues: {"scene_description":"A parched, wind-swept riverbank under a dim sky where restless pretas wander, their forms thin and translucent. They clutch and chew lotus leaves in desperation, while a distant temple silhouette hints at the path they neglected—truth and vow-keeping.","primary_figures":["restless pretas","dharma-personified (optional, as a stern sage-like figure)"],"setting":"desolate lotus-pond edge with cracked earth, scattered lotus leaves, far-off shrine spire","lighting_mood":"moonlit","color_palette":["ashen gray","withered lotus green","smoky indigo","pale silver","mud brown"],"tanjore_prompt":"Tanjore painting style: a cautionary dharma tableau—ghostly pretas with elongated limbs at a lotus pond, chewing lotus leaves; far background shows a small Viṣṇu shrine with a glowing lamp; heavy gold leaf halo around the shrine only, rich maroon borders, ornate but somber detailing, traditional South Indian iconographic framing.","pahari_prompt":"Pahari miniature style: a lyrical yet eerie night scene by a lotus lake; delicate brushwork shows thin pretas among reeds, cool indigo sky, soft silver moon, distant temple on a hill; refined faces with sorrowful expressions, subtle mist over water, Himalayan-style landscape layering.","kerala_mural_prompt":"Kerala mural style: bold black outlines and earthy pigments; pretas rendered in stylized forms near a lotus pond, expressive wide eyes, rhythmic reed patterns; a small sanctum lamp in the distance; dominant ochres, deep greens, and muted blues with temple-wall aesthetic.","pichwai_prompt":"Pichwai cloth painting style: an unconventional moral pichwai—lotus motifs dominate, but leaves appear scattered and eaten; border of stylized lotuses and vines; in the far center a tiny Viṣṇu symbol (śaṅkha-cakra) radiates gold, contrasting the dark blue ground; intricate floral filigree and restrained palette to convey warning."}
Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Bhairavi","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["dry wind","distant temple bell","low drone","night insects","silence between lines"]}
Sandhi Resolution Notes: हीनप्रतिज्ञाश्च = हीन-प्रतिज्ञाः च; चासत्याः = च असत्याः; नलिनीदलभुक्ताश्च = नलिनी-दल-भुक्ताः च
FAQs
It stresses satya (truthfulness) and fidelity to one’s pratijñā (promise) and vrata (vow), warning that violating them leads to painful karmic consequences.
It presents pretahood as a karmic state—“born of one’s own deeds”—specifically linked here to habitual untruth, broken promises, and violated vows.
It portrays a degraded, pitiable mode of existence on earth, emphasizing the hardship and scarcity associated with the preta condition described in the verse.