Shloka 48
The Origin of the Lauhitya River
and the King of Tīrthas
पूर्वस्यां दिशि देवेश तीर्थं चास्ति गुहोदरे । तच्छ्रुत्वा नरशार्दूलो गत्वा कुंडं ददर्श सः
pūrvasyāṃ diśi deveśa tīrthaṃ cāsti guhodare | tacchrutvā naraśārdūlo gatvā kuṃḍaṃ dadarśa saḥ
Wahai Tuhan para dewa, di arah timur juga ada sebuah tīrtha di dalam gua. Mendengar hal itu, sang harimau di antara manusia pun pergi dan melihat kolam suci tersebut.
Unspecified (narrative voice within the ongoing dialogue context of Adhyaya 55)
Concept: Right guidance and śraddhā (trust in sacred report) lead to darśana of purifying places; revelation is directional and actionable.
Application: When given sound counsel, act promptly: visit a temple, take a purifying bath, begin a practice—‘hearing’ must mature into ‘going and seeing’.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Type: tirtha
Visual Art Cues: {"scene_description":"A guide points toward the eastern direction where a cavern opens like a sacred mouth in the mountain. The hero approaches and beholds a still, luminous kuṇḍa within the cave, its surface reflecting an otherworldly light as if the tīrtha itself is alive.","primary_figures":["Rāma (naraśārdūla)","a guide/sage or companion addressing ‘Deveśa’ (optional)"],"setting":"Mountain cavern interior with a clear pond, stalactites, smooth stone steps, faint inscriptions or natural patterns on rock","lighting_mood":"moonlit glow filtering into the cave, mixed with inner divine radiance from the water","color_palette":["indigo","silver","stone gray","emerald","soft gold"],"tanjore_prompt":"Tanjore painting style: Cave-tīrtha scene with a radiant kuṇḍa, hero at the threshold, gold leaf highlights on water ripples and halo, rich jewel tones, ornate borders, traditional iconography with stylized rock formations.","pahari_prompt":"Pahari miniature style: Delicate cavern scene with cool indigo shadows, the pond rendered like polished silver, refined figures with gentle gestures, lyrical realism in rock textures, a subtle eastern light beam entering the cave.","kerala_mural_prompt":"Kerala mural style: Bold outlines, cavern and pond simplified into iconic shapes, luminous water painted with natural pigments, expressive eyes, sacred aura emphasized, temple-wall symmetry.","pichwai_prompt":"Pichwai cloth painting style: Central glowing kuṇḍa framed by lotus and floral borders, deep blues and gold, peacocks near cave entrance, the hero’s approach stylized, intricate patterning on rock and water."}
Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Yaman","pace":"moderate-narrative","voice_tone":"reverent-soft","sound_elements":["dripping water","cave resonance","soft bell","gentle conch"]}
Sandhi Resolution Notes: ca+asti → cāsti; guhā+udare → guhodare; tat+śrutvā → tacchrutvā
FAQs
It presents tīrthas as specific, discoverable locations—here, an eastern-direction site hidden within a cave—showing that sacred geography includes remote natural settings like caverns and ponds (kuṇḍas).
Bhakti here is implied through reverent response: on hearing of a sacred place, the devotee-hero immediately goes to behold it. The movement from “hearing” (śravaṇa) to “seeking/seeing” reflects devotional orientation toward tīrthas.
The verse models prompt, purposeful action based on good counsel: when one learns of a holy and beneficial place, one should not delay but undertake the effort to approach it directly.