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Shloka 11

Brahmin Conduct, Purificatory Baths, and the Garuḍa–Nectar Episode

Illustrative Narrative

मंत्रव्रतविहीनश्च वेदविद्यागुणैरपि । यज्ञदानादिभिर्मुक्तो ब्राह्मणश्चाधमाधमः

maṃtravratavihīnaśca vedavidyāguṇairapi | yajñadānādibhirmukto brāhmaṇaścādhamādhamaḥ

Walaupun dia memiliki ilmu dan kelebihan pengetahuan Veda, namun seorang brāhmaṇa yang tanpa mantra dan vrata suci, serta kosong daripada yajña, dāna dan seumpamanya, ialah yang paling hina antara yang hina.

ma43tra-vrata-vih2bna25devoid of mantras and vows
ma43tra-vrata-vih2bna25:
Karta ( )
TypeAdjective
Rootma43tra + vrata + vih2bna (pr0tipadika)
FormPu43li45ga (Masculine), Pratham0 vibhakti (Nominative/1st), Ekavacana (Singular); tatpuru63a: 'devoid of mantras and vows'
caand
ca:
Sambandha ( )
TypeIndeclinable
Rootca (avyaya)
FormAvyaya, samuccaya (conjunction): 'and'
veda-vidy0-gu47ai25by Veda, learning, and virtues
veda-vidy0-gu47ai25:
Kara47a ( )
TypeNoun
Rootveda + vidy0 + gu47a (pr0tipadika)
FormPu43li45ga (Masculine), T5t2by0 vibhakti (Instrumental/3rd), Bahuvacana (Plural); dvandva: 'Veda, learning, and virtues' (as a set)
apieven/also
api:
Sambandha ( )
TypeIndeclinable
Rootapi (avyaya)
FormAvyaya, sambh0van0/samuccaya particle: 'even/also'
yajf1a-d0na-0dibhi25by sacrifices, gifts, etc.
yajf1a-d0na-0dibhi25:
Kara47a ( )
TypeNoun
Rootyajf1a + d0na + 0di (pr0tipadika)
FormNap6b43saka (Neuter; 0di-anta), T5t2by0 vibhakti (Instrumental/3rd), Bahuvacana (Plural); dvandva of 'sacrifice' and 'gift' with 0di ('etc.')
mukta25freed (from)/devoid (of)
mukta25:
Karta ( )
TypeAdjective
Rootmuc (dh0tu) + kta (k5bdanta)
FormKta-pratyaya PPP, Pu43li45ga (Masculine), Pratham0 vibhakti (Nominative/1st), Ekavacana (Singular); here: 'freed (from)/released (from)'
br0hma47a25a br0hma47a
br0hma47a25:
Karta ( )
TypeNoun
Rootbr0hma47a (pr0tipadika)
FormPu43li45ga (Masculine), Pratham0 vibhakti (Nominative/1st), Ekavacana (Singular)
caand
ca:
Sambandha ( )
TypeIndeclinable
Rootca (avyaya)
FormAvyaya, samuccaya (conjunction): 'and'
adhama-adhama25the lowest of the low
adhama-adhama25:
Karta ( )
TypeAdjective
Rootadhama + adhama (pr0tipadika)
FormPu43li45ga (Masculine), Pratham0 vibhakti (Nominative/1st), Ekavacana (Singular); karmadh0raya/intensifying repetition: 'lowest of the low'

Unspecified (context-dependent within Adhyaya 47; verse presents a general doctrinal statement)

Concept: Birth or learning alone does not sanctify; mantra, vrata-discipline, yajña, and dāna integrated with conduct are required for true brāhmaṇa-hood.

Application: Treat spiritual identity as practice-based: keep daily japa, observe periodic vows, give charity, and align livelihood with integrity rather than relying on credentials.

Primary Rasa: raudra

Secondary Rasa: karuna

Visual Art Cues: {"scene_description":"A solemn āśrama courtyard at dawn: a learned brāhmaṇa sits amid palm-leaf manuscripts, yet the sacred fire is cold and the dāna-vessel is empty. A sage points toward the unlit agnihotra, while a faint Viṣṇu-lotus emblem glows in the background, suggesting that knowledge without discipline is spiritually barren.","primary_figures":["brāhmaṇa scholar","forest sage (ṛṣi)","symbolic presence of Viṣṇu (lotus/śaṅkha-cakra aura)"],"setting":"forest hermitage with yajña-śālā, unlit fire altar, manuscripts, kusa grass, water pot","lighting_mood":"golden dawn","color_palette":["saffron ochre","ash gray","palm-leaf tan","deep indigo","golden light"],"tanjore_prompt":"Tanjore painting style: a stern ṛṣi in the foreground gestures toward an unlit agnihotra altar beside a brāhmaṇa holding palm-leaf manuscripts; subtle Viṣṇu symbols (śaṅkha-cakra) in a radiant aureole above; gold leaf embellishment on ornaments and halo, rich vermilion and emerald accents, temple-like framing, gem-studded borders.","pahari_prompt":"Pahari miniature style: a quiet Himalayan āśrama scene with delicate brushwork—cool morning mist, a brāhmaṇa scholar seated with manuscripts, a sage admonishing gently; small unlit fire altar and empty dāna bowl; lyrical trees and distant hills, refined faces, restrained palette with soft blues and ochres.","kerala_mural_prompt":"Kerala mural style: bold black outlines and natural pigments—two figures (ṛṣi and brāhmaṇa) near a stylized yajña-vedi; expressive eyes, red-yellow-green palette; a symbolic Viṣṇu aura with śaṅkha-cakra motifs above, temple-wall aesthetic with ornamental borders.","pichwai_prompt":"Pichwai cloth painting style: devotional moral tableau with lotus borders and subtle Viṣṇu presence—central unlit altar framed by intricate floral patterns; peacocks at the edges, deep blue background with gold highlights; the message of dharma conveyed through symbolic objects (empty dāna vessel, silent conch)."}

Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Bhairavi","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["temple bells (distant)","crackling fire (fading to silence)","morning birds","conch shell (soft, concluding)"]}

Sandhi Resolution Notes: ma43travratavih2bna5bca 3d ma43tra-vrata-vih2bna25 + ca; vedavidy0gu47airapi 3d veda-vidy0-gu47ai25 + api; yajf1ad0n0dibhir 3d yajf1a-d0na-0dibhi25; br0hma47a5bc0dham0dhama25 3d br0hma47a25 + ca + adhama-adhama25

B
Brāhmaṇa

FAQs

Yes. It criticizes mere learning (veda-vidyā) when not accompanied by lived dharma—mantra-discipline, vows, sacrifice, charity, and related duties.

Status or knowledge without practice is hollow; religious identity is validated by disciplined observance and beneficent action (yajña, dāna, etc.).

It reflects a common Purāṇic theme: inner and outer conduct (vows, worship, giving) must accompany scriptural knowledge for one’s life to be considered truly dhārmic.