Shloka 46
स चैव पुण्यतां यातु वर एष वृतो मया । श्राद्धं येऽत्र करिष्यंति पिंडपूर्वं तु भक्तितः
sa caiva puṇyatāṃ yātu vara eṣa vṛto mayā | śrāddhaṃ ye'tra kariṣyaṃti piṃḍapūrvaṃ tu bhaktitaḥ
Dan semoga hal ini benar-benar menjadi pahala suci—anugerah inilah yang kupilih: sesiapa yang melakukan śrāddha di sini, dengan terlebih dahulu mempersembahkan piṇḍa serta melakukannya dengan bhakti, akan memperoleh hasil rohani yang dihajati.
Unspecified (context-required within Adhyaya 22 dialogue)
Concept: Śrāddha performed with devotion and proper order becomes a direct vehicle of puṇya and ancestral uplift.
Application: Remember ancestors with gratitude; when doing any duty, keep sequence/attention and add sincere devotion rather than mere formality.
Primary Rasa: shanta
Secondary Rasa: karuna
Visual Art Cues: {"scene_description":"A serene riverside or temple-ghāṭa where a householder kneels before a small kuśa-lined altar, placing freshly shaped piṇḍas with careful hands. Behind him, faint luminous silhouettes of Pitṛs hover in blessing, while a calm priestly figure gestures to the correct order of rites, emphasizing devotion over display.","primary_figures":["devotee-householder","Pitṛs (ancestral spirits)","ritual-priest (optional)"],"setting":"sacred ghāṭa with kuśa grass, earthen vessels, sesame, and a low altar; distant banyan and temple spire","lighting_mood":"golden dawn","color_palette":["sandalwood beige","river-silver","lotus pink","saffron ochre","soft gold"],"tanjore_prompt":"Tanjore painting style: a devotional śrāddha scene on a temple ghāṭa, the householder offering piṇḍas first with folded hands, Pitṛs shown as haloed celestial elders in the upper register; heavy gold leaf halos, rich vermilion and emerald borders, ornate vessels with gem-like highlights, traditional South Indian iconographic symmetry.","pahari_prompt":"Pahari miniature style: intimate riverside śrāddha with delicate kuśa details, soft pastel sky, slender figures with refined faces; Pitṛs as translucent, cloud-borne elders; lyrical naturalism with a quiet Himalayan-like landscape and gentle water ripples.","kerala_mural_prompt":"Kerala mural style: bold outlined devotee in white garments offering piṇḍas on a stylized ghāṭa, Pitṛs in the upper band with calm expressions and circular halos; natural pigment palette, temple-wall composition, prominent eyes and rhythmic ornamentation.","pichwai_prompt":"Pichwai cloth painting style: a sacred courtyard with lotus borders and floral vines; central devotee offering piṇḍas before a small altar, with symbolic lotuses and peacocks framing the scene; deep indigo background with gold detailing, ornate border patterns, devotional stillness."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Bhairavi","pace":"slow-meditative","voice_tone":"reverent-soft","sound_elements":["flowing water","soft temple bells","morning birds","gentle conch in distance","ritual spoon clink"]}
Sandhi Resolution Notes: चैव = च + एव; येऽत्र = ये + अत्र; करिष्यंति (पाठभेद) = करिष्यन्ति; पिंडपूर्वं = पिण्ड-पूर्वम्
FAQs
It highlights performing śrāddha (ancestral rite) at a sacred place, specifically emphasizing that the rite should be preceded by offering piṇḍas (rice-balls) and done with devotion (bhakti).
The verse explicitly states “bhaktitaḥ”—the śrāddha becomes spiritually potent when performed with devotion, not merely as an external ritual.
It suggests a dharmic balance: honoring ancestors through correct ritual order (piṇḍa-pūrva) while grounding the act in sincere intention and devotion, which elevates the merit (puṇya) of the practice.