Shloka 25
Vrata–Dāna Compendium at Puṣkara: Puṣpavāhana’s Account and the Ṣaṣṭhī-vrata Purification Rite
इति भक्तिस्तदा जाता दंपत्योस्तु नरेश्वर । तत्प्रसंगात्समभ्यर्च्य केशवं लवणाचलं
iti bhaktistadā jātā daṃpatyostu nareśvara | tatprasaṃgātsamabhyarcya keśavaṃ lavaṇācalaṃ
Wahai raja manusia, demikianlah bhakti pun bangkit dalam hati pasangan suami isteri itu; dan pada kesempatan itu juga mereka menyembah Keśava dengan tertib di Lavaṇācala.
Unspecified narrator addressing a king (nareśvara) within the Sṛṣṭikhaṇḍa dialogue frame
Concept: Bhakti arises through satsanga and shared dharmic life, and it seeks expression in worship of Keśava at a sacred place.
Application: Cultivate devotion together (family sādhana), and translate inner feeling into concrete worship—visiting a temple/tirtha, offering simple pūjā, and keeping vows with sincerity.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Type: mountain
Visual Art Cues: {"scene_description":"A devoted husband and wife stand at the foot of Lavaṇācala, palms joined, as they approach a hilltop shrine of Keśava. The path is strewn with wildflowers and incense smoke curls upward, while the deity’s presence seems to radiate from the sanctum, drawing their newly awakened devotion into worship.","primary_figures":["Keśava (Viṣṇu)","devout husband","devout wife","temple priest (optional)"],"setting":"A sacred hill (ācala) with stone steps leading to a small shrine; bells, lamps, and garlands; distant pilgrims ascending.","lighting_mood":"golden dawn","color_palette":["sapphire blue","lotus pink","gold leaf","sandalwood beige","emerald green"],"tanjore_prompt":"Tanjore painting style: Keśava enshrined on Lavaṇācala in a small sanctum, thick gold-leaf halo and arch, rich red-green temple textiles, gem-studded crown and ornaments; in the foreground a husband and wife in añjali offer flowers and tulasi, with stylized hill contours and lamp-lit pillars.","pahari_prompt":"Pahari miniature style: a lyrical hill shrine on Lavaṇācala with delicate brushwork, cool greens and slate blues; the couple in simple garments climbs stone steps carrying flower baskets; refined faces, soft mist over distant ridges, small bells and flags fluttering.","kerala_mural_prompt":"Kerala mural style: bold black outlines and natural pigments; Keśava with large expressive eyes and ornate jewelry within a temple niche; the couple kneels at the threshold with flower offerings; red-yellow-green palette, rhythmic hill patterns behind.","pichwai_prompt":"Pichwai cloth painting style: Keśava as Srinathji-like central figure within a shrine motif; lotus and floral borders, garlands cascading; the couple offers flowers at the base; peacocks and stylized hill flora, deep indigo background with gold detailing."}
Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Yaman","pace":"moderate-narrative","voice_tone":"reverent-soft","sound_elements":["temple bells","conch shell","soft footsteps on stone steps","incense crackle","morning birds"]}
Sandhi Resolution Notes: भक्तिस्तदा = भक्तिः + तदा; दंपत्योस्तु = दंपत्योः + तु; तत्प्रसंगात् = तत् + प्रसङ्गात्
FAQs
It names Lavaṇācala as a sacred locale connected with the worship of Keśava, indicating the Purāṇic practice of anchoring devotion in specific pilgrimage sites.
It highlights devotion arising naturally in household life (a couple), and expresses bhakti through concrete ritual action—worshipping Keśava with due reverence.
Devotion is shown as something that can awaken through right association and circumstance, and it should be expressed through sincere, properly performed worship rather than mere sentiment.