Shloka 141
The Greatness of Puṣkara: Tripuṣkara Pilgrimage, Sacred Geography, and the Doctrine of Self-Restraint
अस्माकं भयभीतानां नित्यमेव भवान्गतिः । ततस्त्वद्य प्रयाचामस्त्वां वरं वरदो ह्यसि
asmākaṃ bhayabhītānāṃ nityameva bhavāngatiḥ | tatastvadya prayācāmastvāṃ varaṃ varado hyasi
Bagi kami yang dilanda ketakutan, engkaulah tempat bergantung sepanjang masa. Maka pada hari ini kami memohon suatu kurnia darimu, kerana engkaulah benar-benar Pemberi kurnia.
Unspecified (a group of fearful supplicants addressing a boon-giving deity)
Concept: The frightened soul’s natural dharma is to seek the Lord as nitya-gati (ever-refuge) and to pray with humility for divine aid.
Application: When overwhelmed, articulate a clear prayer: acknowledge fear, affirm refuge, ask for a specific boon aligned with dharma (clarity, steadiness, compassion).
Primary Rasa: karuna
Secondary Rasa: shanta
Type: celestial_realm
Visual Art Cues: {"scene_description":"A circle of trembling supplicants with tearful eyes and folded hands stands before a serene, boon-bestowing deity seated in calm majesty. Their fear is visible as wavering shadows behind them, while the deity’s presence forms a protective mandala of light.","primary_figures":["Vishnu (as Varada)","supplicant prajās"],"setting":"A liminal cosmic court—half in darkness, half in luminous order—suggesting the threshold between fear and refuge.","lighting_mood":"temple lamp-lit","color_palette":["deep indigo","warm amber","sandalwood beige","ruby red","antique gold"],"tanjore_prompt":"Tanjore painting style: Vishnu as Varada with one hand in boon-giving gesture, gold leaf halo and ornate arch; supplicants in the foreground with expressive folded hands; dramatic contrast between dark background and radiant deity; rich reds/greens, gem-like highlights, intricate textile patterns.","pahari_prompt":"Pahari miniature style: intimate devotional tableau with soft amber glow; delicate linework on faces showing fear turning to hope; sparse cosmic background with a gentle gradient; refined jewelry and textiles, understated gold accents.","kerala_mural_prompt":"Kerala mural style: frontal Vishnu with bold outlines, large eyes, and stylized ornaments; devotees in rhythmic rows; lamp-lit aura in yellow and red pigments; decorative floral borders framing the plea.","pichwai_prompt":"Pichwai cloth painting style: central deity framed by lotus and creeper borders; devotees arranged symmetrically below; deep blue ground with gold floral motifs; emphasis on devotional gesture and ornamental richness."}
Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Yaman","pace":"moderate-narrative","voice_tone":"emotional","sound_elements":["soft hand-bell","tanpura drone","gentle conch accent","murmured chorus response"]}
Sandhi Resolution Notes: भवान्गतिः = भवान् + गतिः; ततस्त्वद्य = ततः + त्वत् + अद्य; प्रयाचामस्त्वां = प्रयाचामः + त्वाम्; वरदो ह्यसि = वरदः + हि + असि (हि→ह्य् before vowel).
FAQs
It expresses śaraṇāgati (taking refuge): the speaker(s) confess fear and declare the addressed deity as their constant gati (refuge/sole resort), then humbly request a boon.
Bhakti is shown through dependence and surrender—approaching the divine not as an equal, but as the ever-present protector and compassionate giver of grace.
In crisis, one should seek protection through humility, truthful admission of vulnerability, and respectful petition rather than arrogance or despair.