Shloka 19
Puṣkara Invocation, the Dharma-Wheel at Naimiṣa, and the Padma Purāṇa Prologue
इत्थं तद्भावमालंब्य धर्माञ्छुश्रूषुराह तम् । त्वया सूत महाबुद्धे भगवान्ब्रह्मवित्तमः
itthaṃ tadbhāvamālaṃbya dharmāñchuśrūṣurāha tam | tvayā sūta mahābuddhe bhagavānbrahmavittamaḥ
Demikianlah, berpegang pada suasana itu dan rindu mendengar dharma, beliau berkata kepadanya: “Wahai Sūta, wahai yang berakal besar! Melalui engkau, Bhagavān—yang paling utama mengetahui Brahman—akan menzahirkan sabda.”
Narrator (contextual; addressing Sūta)
Concept: Right disposition (bhāva) and eagerness to hear dharma are prerequisites for receiving brahma-vidyā through a worthy intermediary.
Application: Before seeking answers, cultivate the inner posture of receptivity; ask questions respectfully and with a sincere intent to live the teaching.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Visual Art Cues: {"scene_description":"A senior sage rises slightly from his seat, palms joined, and addresses Sūta with measured reverence. The assembly holds its breath as if the very forest pauses—dharma is about to be spoken, not as debate, but as revelation carried by a trusted voice.","primary_figures":["Śaunaka (or leading sage)","Sūta (Ugraśravas)","assembled sages"],"setting":"satra assembly with a central speaking space, ritual fire at the side, manuscript stand nearby","lighting_mood":"divine radiance","color_palette":["soft gold","saffron","midnight blue","sage green","pearl white"],"tanjore_prompt":"Tanjore painting style: the leading sage in añjali-mudrā addressing Sūta; gold leaf radiance around both figures; rich red-green textiles, ornate border with lotus and conch; gem-like highlights on ritual vessels; composition emphasizes respectful dialogue and sacred authority.","pahari_prompt":"Pahari miniature style: intimate conversational moment with delicate gestures; Sūta seated calmly, the questioning sage slightly forward; cool blues and greens with warm saffron accents; fine linework on manuscripts and rosaries; quiet forest backdrop with lyrical spacing.","kerala_mural_prompt":"Kerala mural style: bold outlines show the sage addressing Sūta; expressive eyes and stylized hands in añjali; red-yellow-green palette with a glowing yajña fire; decorative frame with lotus and chakra motifs, temple-wall solemnity.","pichwai_prompt":"Pichwai cloth painting style: central dialogue framed by ornate floral borders; deep blue ground with gold highlights; lotus medallions around the speakers; peacocks at the corners; subtle Vaishnava symbols (śaṅkha, cakra) integrated into textile motifs to suggest Bhagavat-dharma."}
Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Bhairavi","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["silence before speech","single bell strike","low drone (tanpura)","fire crackle","soft conch in distance"]}
Sandhi Resolution Notes: तद्भावमालंब्य = तद्भावम् + आलम्ब्य; धर्माञ्छुश्रूषुराह = धर्मान् + शुश्रूषुः + आह; भगवान्ब्रह्मवित्तमः = भगवान् + ब्रह्मवित्तमः.
FAQs
It frames the discourse as dharma-śravaṇa (the desire to hear teachings on righteousness) and signals that authoritative spiritual knowledge is being conveyed through Sūta.
The phrase denotes an exceptionally authoritative knower of Brahman; the verse uses it as an honorific for the revered speaker whose teaching is being transmitted (or introduced) via Sūta.
It highlights humility and readiness to learn: seeking dharma through attentive listening is presented as a virtuous starting point for right conduct and spiritual understanding.