Shloka 29
अन्नादिकं तत्र भुक्तं सर्वस्वादसमन्वितम् । वयं चतुर्भुजा जाता देवस्य कृपया पुनः । गत्वा त्वमपि देवस्य दर्शनं कुरु सत्तम
annādikaṃ tatra bhuktaṃ sarvasvādasamanvitam | vayaṃ caturbhujā jātā devasya kṛpayā punaḥ | gatvā tvamapi devasya darśanaṃ kuru sattama
Di sana kami menjamah makanan dan persembahan lain, lengkap dengan segala rasa yang menyenangkan. Dengan rahmat Tuhan, kami menjadi berlengan empat semula. Engkau juga pergilah dan perolehlah darśana Tuhan, wahai yang terbaik antara orang berbudi.
Unspecified narrator (a group speaking in first-person plural) addressing a virtuous person (sattama)
Concept: Divine grace is mediated through sacred place, sacred offering, and the act of going (gamanam) for darśana; the experience is shareable and repeatable.
Application: Make time for pilgrimage or at least intentional temple visits; receive prasāda with reverence; encourage others toward uplifting spiritual experiences.
Primary Rasa: adbhuta
Secondary Rasa: vira
Type: tirtha
Visual Art Cues: {"scene_description":"A feast of consecrated offerings is laid before a small hill-shrine; the devotees partake, and their bodies subtly shift into four-armed, Viṣṇu-like forms—an emblem of grace rather than pride. One devotee turns outward, hand extended in invitation, urging a virtuous traveler to go and behold the Lord’s darśana.","primary_figures":["devotee group (now four-armed)","virtuous listener (sattama)","presiding deity (suggested presence)"],"setting":"shrine courtyard on a hill with offering platters, flower garlands, and a path leading upward","lighting_mood":"golden dawn","color_palette":["burnished gold","royal blue","coconut brown","hibiscus red","jade green"],"tanjore_prompt":"Tanjore painting style: four-armed devotees seated near naivedya platters, gold leaf halos and embossed jewelry, a central shrine with ornate arch, one figure gesturing ‘come for darśana’, rich reds/greens, gem-studded ornamentation and thick gold borders.","pahari_prompt":"Pahari miniature style: refined figures with gentle expressions, subtle depiction of four arms, hill path winding to a small shrine, delicate food offerings painted with fine detail, cool natural palette with warm accents, lyrical invitation gesture toward the viewer.","kerala_mural_prompt":"Kerala mural style: stylized four-armed devotees in rhythmic poses, bold outlines, warm pigments, offering vessels and garlands rendered iconically, a clear narrative gesture inviting the sattama to ascend for darśana.","pichwai_prompt":"Pichwai cloth painting style: devotional banquet of prasāda framed by lotus and floral borders, deep blue ground with gold highlights, hanging bells, peacocks near the path, central shrine medallion, intricate textile patterns and symmetrical composition."}
Audio Atmosphere: {"recitation_mood":"celebratory","suggested_raga":"Durga","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["temple bells","conch shell","devotional chorus (soft)","footsteps on stone path"]}
Sandhi Resolution Notes: सर्वस्वादसमन्वितम् = सर्व-स्वाद-समन्वितम्; त्वमपि = त्वम् + अपि; (पद्ये) अन्नादिकं, भुक्तं इत्यादि नपुंसक एकवचनरूपाणि कर्मपदत्वेन।
FAQs
It signals restoration or elevation through divine grace—an emblem of attaining a higher, divine-like state (often associated with proximity to or likeness of the Lord) after receiving the Lord’s mercy.
Darśana means sacred audience—directly beholding the Lord. The verse presents it as a transformative act, encouraging the listener to go and seek the Lord’s presence as a means of spiritual uplift.
It highlights reliance on divine compassion (kṛpā) and urges active devotion: one should personally go and seek the Lord’s darśana rather than remaining passive.