Shloka 93
The Sin of Breaking Households: Citrā’s Past Karma and the Remedy of Hari’s Name and Meditation
भ्राजते सोपि गोविंदो हेमवर्णेन वाससा । मुद्रिकारत्नयुक्ताभिरंगुलीभिर्विराजते
bhrājate sopi goviṃdo hemavarṇena vāsasā | mudrikāratnayuktābhiraṃgulībhirvirājate
Govinda itu juga bersinar, mengenakan busana berwarna keemasan; dan bertambah seri dengan jari-jemari yang dihiasi cincin bertatahkan permata.
Unspecified (narrative description; speaker not identifiable from single verse)
Concept: The Lord’s beauty is a legitimate object of meditation; loving attention to details (vastra, aṅgulī-mudrikā) gathers the mind into single-pointed devotion.
Application: During japa, briefly visualize Govinda’s golden garments and gemmed rings; let the mind rest on one detail to reduce distraction.
Primary Rasa: shringara
Secondary Rasa: adbhuta
Visual Art Cues: {"scene_description":"Govinda is shown in a graceful three-quarter pose, wrapped in golden-hued garments that ripple like sunlight on silk. His hands are lifted in blessing, fingers adorned with gem-set rings that catch and refract the divine glow.","primary_figures":["Govinda (Viṣṇu/Kṛṣṇa aspect)"],"setting":"Temple lamp-lit sanctum or a lotus pavilion; close framing on hands, garments, and jewelry for intimate devotion.","lighting_mood":"temple lamp-lit","color_palette":["molten gold","deep ultramarine","garnet red","jade green","soft sandalwood beige"],"tanjore_prompt":"Tanjore painting style: Govinda with golden silk vastra rendered in rich ochres and gold leaf highlights; gem-studded rings on each finger, ornate crown, thick jewelry; raised gesso for rings and borders, deep red-green background, prabhāvali arch, traditional South Indian iconography and symmetrical ornamentation.","pahari_prompt":"Pahari miniature style: Delicate Govinda in flowing golden garments, fine ring details with tiny jewel dots; soft pastel background, lotus pavilion, refined facial features, subtle shading, lyrical intimacy with emphasis on hands and textiles.","kerala_mural_prompt":"Kerala mural style: Bold outlines, flat gold-yellow garment fields with red edging; rings as stylized jewel circles; large expressive eyes, temple-wall composition with vegetal motifs and warm red/yellow/green palette.","pichwai_prompt":"Pichwai cloth painting style: Govinda centered amid lotus vines; golden garment patterns echoed in floral borders; jewel-ring motifs repeated as small mandalas; deep blue background with gold detailing, peacocks and lotuses framing the figure."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Bhupali","pace":"slow-meditative","voice_tone":"serene","sound_elements":["tanpura drone","soft temple bells","oil-lamp crackle (implied)","gentle silence"]}
Sandhi Resolution Notes: सोपि = सः + अपि; मुद्रिकारत्नयुक्ताभिरंगुलीभिः = मुद्रिका-रत्न-युक्ताभिः + अङ्गुलीभिः (स्वर-सन्धि: ...भिः अ... → ...भिरा...)।
FAQs
The verse gives an iconographic description of Govinda—his golden-hued clothing and gem-set rings—emphasizing divine radiance and majesty.
By vividly portraying Govinda’s splendor, the text supports devotional visualization (smaraṇa/dhyāna), helping devotees focus the mind on the deity’s auspicious form.
It points to the practice of reverent contemplation: cultivating inner steadiness by repeatedly remembering the divine form, rather than being absorbed in worldly appearances.