Shloka 73
The Sin of Breaking Households: Citrā’s Past Karma and the Remedy of Hari’s Name and Meditation
ध्यानं तस्य प्रवक्ष्यामि द्विविधं तस्य चक्रिणः । केवलज्ञानरूपेण दृश्यते ज्ञानचक्षुषा
dhyānaṃ tasya pravakṣyāmi dvividhaṃ tasya cakriṇaḥ | kevalajñānarūpeṇa dṛśyate jñānacakṣuṣā
Akan aku jelaskan meditasi-Nya—dua macam bagi Tuhan yang memegang cakra itu. Dengan mata kebijaksanaan, Dia terlihat hanya sebagai hakikat ilmu yang murni semata-mata.
Unspecified in the provided excerpt (context needed to identify the dialogue speaker).
Concept: Meditation on the discus-bearing Lord is taught as twofold; the Lord is apprehended by the jñāna-eye as pure knowledge in essence.
Application: Alternate between form-meditation (Vishnu with chakra, śaṅkha, gadā, padma) and formless contemplation (awareness as luminous knowing), keeping both anchored in devotion rather than dry abstraction.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Visual Art Cues: {"scene_description":"A teacher-sage gestures toward two visions hovering in the air: on one side, Vishnu as the radiant Cakrī with four arms and jeweled crown; on the other, a formless orb of pure light inscribed with subtle Sanskrit seed-syllables, representing kevala-jñāna. The disciple’s eyes are painted as luminous 'jñāna-cakṣus', reflecting both the icon and the light without conflict.","primary_figures":["a teaching sage","a disciple","Vishnu (Cakrī)","symbolic orb of pure knowledge/light"],"setting":"hermitage classroom under a banyan tree with a small altar and lamp; subtle mandala in the sky","lighting_mood":"temple lamp-lit","color_palette":["lamp-gold","midnight blue","lotus pink","emerald","ivory"],"tanjore_prompt":"Tanjore painting style: Vishnu as Cakrī in classic South Indian iconography with gold leaf halo, gem-studded ornaments; beside him a gold-white jñāna-orb with delicate script; sage and disciple in rich maroon/green garments, ornate arch frame, heavy gilding emphasizing the twofold dhyāna.","pahari_prompt":"Pahari miniature style: intimate guru-śiṣya scene under a tree, Vishnu’s form appearing like a delicate vision-cloud; the kevala-jñāna orb as a pale moonlike glow; cool palette, fine linework, gentle expressions, lyrical natural setting.","kerala_mural_prompt":"Kerala mural style: bold outlines, Vishnu with prominent chakra and stylized eyes; the knowledge-orb as a large circular motif with ochre-gold fill; guru and disciple in traditional mural proportions, temple-wall texture and natural pigments.","pichwai_prompt":"Pichwai cloth painting style: central Vishnu with chakra, surrounded by lotus and tulasi borders; a secondary circular mandala of pure light above, filled with floral filigree; deep blue ground with gold highlights, peacocks at corners, intricate Nathdwara-like ornamentation adapted to Vishnu-dhyāna."}
Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Bhupali","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["temple bells","soft mridangam pulse","conch shell (opening)","lamp crackle"]}
Sandhi Resolution Notes: केवलज्ञानरूपेण = केवल-ज्ञान-रूपेण; ज्ञानचक्षुषा = ज्ञान-चक्षुषा
FAQs
“Cakrin” commonly denotes Lord Viṣṇu, famed for bearing the Sudarśana discus (cakra).
It means perceiving the divine not merely through physical sight or imagination, but through discriminative wisdom—realizing the Lord as pure consciousness/knowledge.
The verse signals that meditation on Viṣṇu is taught in two modes; this line specifically highlights the jñāna-oriented mode—contemplating him as pure knowledge. The exact pair of modes is clarified by surrounding verses.