Shloka 8
Yayāti’s Ascent to Heaven
and Entry into Vaikuṇṭha
हस्तपादमुखैर्युक्तः सर्वाचारप्रचारकः । ज्ञानविज्ञानसंपन्नः पुण्यानां च महानिधिः
hastapādamukhairyuktaḥ sarvācārapracārakaḥ | jñānavijñānasaṃpannaḥ puṇyānāṃ ca mahānidhiḥ
Dengan tangan, kaki dan mulut, dia menjadi penyebar segala tata susila yang benar; kaya dengan jñāna dan vijñāna, serta khazanah besar kebajikan.
Unspecified (narrative context not provided in the input)
Concept: Embodied dharma expresses itself through disciplined action (hands/feet) and truthful, instructive speech (mouth), grounded in jñāna and vijñāna, generating puṇya.
Application: Align bodily actions and speech with sāttvika standards: serve, refrain from harm, speak truth-benefitfully, and study with reflection so knowledge becomes lived wisdom.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Visual Art Cues: {"scene_description":"A serene royal court where a luminous figure of Dharma is subtly suggested behind a learned counselor. The counselor’s hands offer charity, his feet stand firm in restraint, and his mouth utters measured instruction, while a soft aura of merit gathers like golden pollen around him.","primary_figures":["Personified Dharma (subtle, radiant presence)","Wise counselor/ācārya figure","Attentive king and courtiers"],"setting":"Earthly palace hall with carved pillars, palm-leaf manuscripts, and a small Viṣṇu shrine in the background indicating Vaishnava orientation.","lighting_mood":"temple lamp-lit","color_palette":["antique gold","sandalwood beige","deep emerald","vermillion red","ink black"],"tanjore_prompt":"Tanjore painting style: a dignified court scene with a central dhārmic teacher blessing with one hand and holding a palm-leaf manuscript in the other, a small Viṣṇu icon on a pedestal behind, heavy gold leaf halos around the teacher and a faint personified Dharma, rich reds and greens, gem-studded ornaments, ornate arch and floral borders.","pahari_prompt":"Pahari miniature style: refined court interior with delicate linework, the teacher seated on a low cushion, manuscript and rosary, a faint translucent Dharma figure behind like a protective silhouette, cool yet warm-balanced palette, lyrical drapery folds, distant garden glimpsed through an arched window.","kerala_mural_prompt":"Kerala mural style: bold black outlines and flat natural pigments, the teacher with large expressive eyes, stylized palace pillars and lamp flames, a subtle Dharma aura behind, dominant reds/yellows/greens with gold accents, temple-wall composition symmetry.","pichwai_prompt":"Pichwai cloth painting style: Vaishnava-inflected court tableau framed by lotus and tulasi borders, a small shrine of Viṣṇu at center-back, intricate floral filigree, peacocks at the margins, deep indigo background with gold detailing and lotus pink highlights."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Yaman","pace":"slow-meditative","voice_tone":"serene","sound_elements":["soft temple bells","low tanpura drone","page-turn of palm-leaf manuscripts","gentle conch in distance","silence between pādas"]}
Sandhi Resolution Notes: हस्तपादमुखैर्युक्तः = हस्तपादमुखैः + युक्तः; महानिधिः = महान् + निधिः (नकार-आदेश/समासरूप)
FAQs
Jñāna is conceptual or scriptural knowledge, while vijñāna is realized, discriminative understanding—knowledge that has matured into lived insight and right application.
It highlights embodied practice: hands (action/service), feet (right movement/pilgrimage or purposeful conduct), and mouth (truthful speech/teaching). Dharma is shown as something enacted, not merely believed.
A truly virtuous person not only possesses knowledge but actively promotes right conduct through action, speech, and disciplined living, thereby becoming a “treasury” of puṇya (merit).