Shloka 113
Pitṛ-tīrtha Context: Marks of Sin, Śrāddha Discipline, and Karmic Ripening
in Yayāti’s Narrative
कथ्यंते गतयश्चित्रा नराणां पापकर्मणाम् । एतत्ते नृपते धर्म फलं प्रोक्तं सुविस्तरात्
kathyaṃte gatayaścitrā narāṇāṃ pāpakarmaṇām | etatte nṛpate dharma phalaṃ proktaṃ suvistarāt
Sedang dihuraikan pelbagai nasib manusia yang melakukan perbuatan dosa. Wahai nṛpati (raja), demikianlah buah Dharma telah diterangkan kepadamu dengan seluas-luasnya.
Unspecified narrator addressing a king (nṛpati) within the dialogue context of Bhūmi-khaṇḍa
Concept: Human destinies vary according to sinful action; dharma’s fruits are being taught comprehensively to a ruler.
Application: Leaders should treat ethics as policy: discourage harm, corruption, and exploitation; encourage charity, temple support, and vrata culture that stabilizes communal virtue.
Primary Rasa: adbhuta
Secondary Rasa: karuna
Visual Art Cues: {"scene_description":"A royal audience hall opens into a visionary panorama: behind the speaking sage, translucent scenes of many afterlife paths unfold—some descending into shadowed valleys, others rising toward luminous cities. The king listens intently, his crown catching a thin beam of dharma-light as the moral map of destinies is revealed.","primary_figures":["A king (nṛpati)","A sage-like narrator (or celestial guide)","Symbolic figures representing souls on different paths"],"setting":"Palace hall transitioning into a visionary cosmic landscape of multiple roads and realms.","lighting_mood":"golden dawn","color_palette":["royal maroon","antique gold","pearl white","midnight blue","smoke gray"],"tanjore_prompt":"Tanjore painting style: king seated on a jeweled throne, sage standing with palm-leaf manuscript; behind them a gold-leaf haloed vision showing multiple roads—one dark descending, one bright ascending—rendered with ornate borders and gem-like highlights; rich reds and greens, traditional South Indian court aesthetics.","pahari_prompt":"Pahari miniature style: refined palace interior with arched windows opening to a painted panorama of many paths; delicate figures on winding roads, cool blues and soft ochres, lyrical clouds; the king’s attentive posture and the sage’s calm gesture emphasize instruction.","kerala_mural_prompt":"Kerala mural style: symmetrical court scene with bold outlines; the visionary destinies shown as stacked registers (tiers) of realms; strong reds/yellows/greens with deep blue shadows for lower paths.","pichwai_prompt":"Pichwai cloth painting style: central court scene framed by lotus and vine borders; multiple path motifs radiate like petals from a dharma-wheel; peacocks perched on the upper luminous path, darker floral motifs below; deep indigo with gold and lotus-pink detailing."}
Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Desh","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["courtly silence","soft mridangam pulse (subtle)","tanpura drone","distant conch"]}
Sandhi Resolution Notes: कथ्यंते→कथ्यन्ते; गतयश्चित्रा→गतयः चित्राः; एतत्ते→एतत् ते; सुविस्तरात् treated as avyayībhāva adverb (‘su-vistarāt’).
FAQs
It summarizes that the text is explaining the diverse outcomes (gatayaḥ) that follow sinful actions, and that the results of dharma have been taught to the king in a detailed manner.
No. This verse functions as a transition/summary line indicating that such destinies are being narrated; the specific details are found in the surrounding verses.
That actions have consequences: sinful deeds lead to varied negative destinies, while dharma yields its own results—hence one should choose conduct aligned with dharma.