Padma Purana — Bhumi Khanda, Shloka 14
Pitṛmātṛtīrtha Greatness & the Discourse on Embodiment: Karma, Birth, Impurity, and Dispassion
षड्विधा हि स्वभेदेन परिणामं व्रजंति ताः । अन्योन्यरससंयोगादनेकस्वादतां गताः
ṣaḍvidhā hi svabhedena pariṇāmaṃ vrajaṃti tāḥ | anyonyarasasaṃyogādanekasvādatāṃ gatāḥ
Sesungguhnya, menurut perbezaan masing-masing, semuanya berubah menjadi enam jenis; dan melalui percampuran rasa antara satu sama lain, terhasillah kepelbagaian rasa yang amat banyak.
Unspecified (context not provided for the dialogue frame in this single-verse excerpt)
Concept: Diversity arises from underlying categories and combinations; discernment (viveka) sees order within variety.
Application: Notice how small choices combine into large outcomes (diet, habits, speech); cultivate moderation and clarity by understanding ‘mixing’ effects rather than acting impulsively.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Visual Art Cues: {"scene_description":"A symbolic tableau shows six bowls representing six transformations, while streams of colored ‘flavors’ intertwine between them, creating countless hues. Behind, a calm sage gestures as if teaching an unseen king, turning culinary variety into a cosmic diagram of order.","primary_figures":["teaching sage (implied Pulastya-like figure)","royal listener silhouette (Bhīṣma/kingly figure, optional)"],"setting":"didactic pavilion in an āśrama; low wooden platform with arranged bowls, spices, and palm-leaf manuscript","lighting_mood":"golden dawn","color_palette":["turmeric yellow","vermilion","jade green","indigo","pearl white"],"tanjore_prompt":"Tanjore painting style: a sage-teacher points to six ornate bowls symbolizing six transformations; swirling ribbons of colored rasa blend between bowls; gold leaf highlights on the ribbons and bowl rims, rich reds/greens, stylized lotus motifs in the border, traditional iconographic serenity.","pahari_prompt":"Pahari miniature style: refined classroom scene in an āśrama veranda—six small bowls with pigments/spices, delicate wisps of color blending; cool palette with lyrical naturalism, thin lines, gentle dawn sky and distant hills.","kerala_mural_prompt":"Kerala mural style: six circular vessels in a mandala layout with bold outlines; colored bands interlinking them; sage in profile teaching, temple-wall symmetry, red/yellow/green dominance with black contouring.","pichwai_prompt":"Pichwai cloth painting style: mandala of six bowls amid lotus motifs; intricate floral borders; deep blue ground with gold detailing; peacocks and cows in corners as auspicious fillers, rasa-ribbons forming a decorative lattice."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Yaman","pace":"slow-meditative","voice_tone":"serene","sound_elements":["soft tanpura drone","gentle bell","rustle of palm leaves","morning birds"]}
Sandhi Resolution Notes: षड्विधाः = षट् + विधाः; स्वभेदेन = स्व + भेदेन; व्रजंति = व्रजन्ति (अनुस्वार-लेखनभेदः); अन्योन्यरससंयोगाद् = अन्योन्य + रस + संयोगात्; अनेकस्वादताम् = अनेक + स्वादताम्
FAQs
It explains that things differentiate into six types by their inherent distinctions, and that further variety arises when their ‘rasas’ (flavors/essences) combine with one another.
Primarily it indicates taste/flavor, but in Purāṇic Sanskrit it can also suggest an underlying ‘essence’ whose combinations produce diverse experiential qualities.
It highlights that diversity is not only from fixed categories (sixfold division) but also from interaction—mixtures and relationships generating many more outcomes than the base types.