Shloka 25
The Tale of Sukalā: Illusion, Desire, and the Testing of a Chaste Wife
within the Vena Cycle
प्रहरस्व महाभाग क्रीडायाः पुरतः स्थिताम् । मायां कृत्वा समानीता क्रीडया तव संनिधौ
praharasva mahābhāga krīḍāyāḥ purataḥ sthitām | māyāṃ kṛtvā samānītā krīḍayā tava saṃnidhau
Wahai yang mulia, panahlah dia yang berdiri di hadapan Krīḍā. Dengan māyā, Krīḍā telah membawanya ke hadiratmu dalam permainan ini.
Unspecified (context-dependent narrator/dialogue speaker in Bhūmi-khaṇḍa)
Concept: Violence and coercion, especially when aided by deception (māyā), mark a fall from nobility despite honorific speech.
Application: Beware of rationalizing harm with flattering titles or group pressure; refuse actions that require deception or force.
Primary Rasa: raudra
Secondary Rasa: shringara
Visual Art Cues: {"scene_description":"A tense confrontation: a woman stands before a personified figure named Krīḍā, while shadowy illusion-threads coil around the scene like shimmering veils. A commanding voice urges an attack, and Kāma’s presence lingers as a subtle force, turning play into peril.","primary_figures":["Sukulā (implied)","Krīḍā (personified figure or named woman)","unnamed instigator (speaker)","Kāma (implied presence)"],"setting":"threshold of a pleasure-garden pavilion—half-lit corridors, flowering vines, and a stage-like courtyard where illusion can be ‘performed’","lighting_mood":"moonlit","color_palette":["smoky violet","silver","deep maroon","pale gold","night jasmine green"],"tanjore_prompt":"Tanjore painting style: dramatic tableau with Sukulā in the foreground, Krīḍā near a decorated pavilion, and stylized māyā shown as gold-embossed swirling veils; intense expressions, ornate jewelry, rich maroons and greens, gold leaf highlighting the illusion motifs and architectural borders.","pahari_prompt":"Pahari miniature style: moonlit garden with delicate vines and a pavilion; translucent washes depict māyā as gauzy ribbons; Sukulā poised yet threatened, Krīḍā slightly behind; refined faces, cool nocturnal palette, subtle tension in gesture and spacing.","kerala_mural_prompt":"Kerala mural style: bold outlines and symbolic depiction of māyā as patterned bands around figures; Sukulā centered with expressive eyes, Krīḍā and the instigator in profile; flat decorative background, strong reds/yellows/greens with dark night accents.","pichwai_prompt":"Pichwai cloth painting style: ornamental garden scene framed by floral borders; māyā rendered as repeating lotus-vine patterns encircling the figures; deep blues and gold, stylized pavilion, peacocks watching as silent witnesses, intricate textile-like detailing."}
Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Bhairavi","pace":"fast-dramatic","voice_tone":"authoritative","sound_elements":["sharp drum strokes","wind gust","anklet stop (sudden silence)","distant conch (ominous)"]}
Sandhi Resolution Notes: विशेष सन्धि नहीं; ‘पुरतः’ अव्यय. ‘समानीता’ क्त-रूपः (सम्+आ+नी).
FAQs
The verse addresses a “mahābhāga” (a noble/fortunate person) and commands him to strike a woman standing before Krīḍā; the exact identity depends on the surrounding narrative context of Adhyaya 57.
Māyā is described as the means by which the woman is “brought” into the addressee’s presence, implying deception, concealment, or a supernatural stratagem within the story.
The verse presents an action (violence/striking) enabled by illusion, raising questions—resolved only by broader context—about duty, justice, and whether the act is sanctioned as corrective or portrayed as morally problematic.