Shloka 5

सूत उवाच । रूपौदार्यगुणोपेता सर्वालंकारभूषिता । नंदनस्य वनस्यांते दोलायां समुपस्थिता

sūta uvāca | rūpaudāryaguṇopetā sarvālaṃkārabhūṣitā | naṃdanasya vanasyāṃte dolāyāṃ samupasthitā

Sūta berkata: Dikaruniai kecantikan, keanggunan dan sifat-sifat utama, berhias dengan segala perhiasan, dia tampak di hujung rimba Nandana, berdiri di atas buaian.

सूतःSūta
सूतः:
Karta (Subject/कर्ता)
TypeNoun
Rootसूत (प्रातिपदिक)
Formपुंलिङ्ग; प्रथमा (1st/कर्ता), एकवचन; वक्तृ-निर्देश (speaker)
उवाचsaid
उवाच:
Kriyā (Main verb)
TypeVerb
Root√वच् (धातु)
Formलिट् (Perfect); प्रथमपुरुष (3rd), एकवचन; परस्मैपद
रूपौदार्यगुणोपेताendowed with beauty, generosity, and virtues
रूपौदार्यगुणोपेता:
Karta (Subject complement)
TypeAdjective
Rootरूप (प्रातिपदिक) + औदार्य (प्रातिपदिक) + गुण (प्रातिपदिक) + उपेत (कृदन्त-प्रातिपदिक)
Formतत्पुरुष-समास (बहु-समाहार: ‘रूप-औदार्य-गुणैः उपेता’); स्त्रीलिङ्ग; प्रथमा (1st/कर्ता), एकवचन; विशेषण
सर्वालंकारभूषिताadorned with all ornaments
सर्वालंकारभूषिता:
Karta (Subject complement)
TypeAdjective
Rootसर्व (प्रातिपदिक) + अलंकार (प्रातिपदिक) + भूषित (कृदन्त-प्रातिपदिक)
Formतत्पुरुष-समास (तृतीया: ‘सर्वैः अलंकारैः भूषिता’); स्त्रीलिङ्ग; प्रथमा (1st/कर्ता), एकवचन; विशेषण
नन्दनस्यof Nandana (garden)
नन्दनस्य:
Sambandha (Genitive relation)
TypeNoun
Rootनन्दन (प्रातिपदिक)
Formनपुंसकलिङ्ग; षष्ठी (6th/सम्बन्ध), एकवचन; (नन्दन-वन)
वनस्यof the forest/grove
वनस्य:
Sambandha (Genitive relation)
TypeNoun
Rootवन (प्रातिपदिक)
Formनपुंसकलिङ्ग; षष्ठी (6th/सम्बन्ध), एकवचन
अन्तेat the end/edge
अन्ते:
Adhikaraṇa (Location)
TypeNoun
Rootअन्त (प्रातिपदिक)
Formपुंलिङ्ग; सप्तमी (7th/अधिकरण), एकवचन
दोलायाम्on a swing
दोलायाम्:
Adhikaraṇa (Location)
TypeNoun
Rootदोलā (प्रातिपदिक)
Formस्त्रीलिङ्ग; सप्तमी (7th/अधिकरण), एकवचन
समुपस्थिताwas present/appeared
समुपस्थिता:
Kriyā (Predicative state)
TypeVerb
Rootसम्+उप√स्था (धातु)
Formक्त-प्रत्यय (past passive participle) ‘समुपस्थित’; स्त्रीलिङ्ग; प्रथमा (1st/कर्ता), एकवचन; विधेय-विशेषण (predicate participle)

Sūta

Concept: Outer beauty and ornament can conceal intent; discernment (viveka) is required when confronted with enchantment.

Application: When something appears irresistibly attractive, pause and examine motive and consequence before engaging.

Primary Rasa: shringara

Secondary Rasa: adbhuta

Type: celestial_realm

Visual Art Cues: {"scene_description":"At the luminous edge of Nandana grove, an apsarā stands poised on a flower-decked swing, her ornaments catching the light like scattered stars. Blossoms drift in perfumed air as distant gandharva music seems to ripple through the trees, turning the grove into a stage of irresistible charm.","primary_figures":["Sūta (as narrator presence implied)","apsarā (Menikā)","optional gandharvas in distance"],"setting":"celestial garden at Nandana-vana’s boundary; jeweled swing (dolā) hung from wish-fulfilling trees, carpets of blossoms, faint palace silhouettes","lighting_mood":"divine radiance","color_palette":["sapphire blue","lotus pink","gold leaf","emerald green","pearl white"],"tanjore_prompt":"Tanjore painting style: apsarā on a jeweled swing at Nandana grove’s edge, heavy gold leaf on ornaments and halo-like radiance, rich reds/greens, ornate floral borders, gem-studded jewelry, stylized celestial trees and palace hints in background.","pahari_prompt":"Pahari miniature style: delicate apsarā on a swing beneath flowering trees, cool greens and soft blues, lyrical naturalism with drifting petals, refined facial features, subtle gandharva silhouettes, fine brushwork and gentle gradients.","kerala_mural_prompt":"Kerala mural style: bold black outlines, apsarā with large expressive eyes on a decorated swing, patterned textiles, saturated reds/yellows/greens, stylized celestial foliage and rhythmic composition like a temple wall panel.","pichwai_prompt":"Pichwai cloth painting style: swing scene framed by intricate floral borders and lotus motifs, deep blue ground with gold highlights, peacocks and flowering vines, ornate textile patterns; apsarā centered like a devotional tableau though set in svarga."}

Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Yaman","pace":"moderate-narrative","voice_tone":"reverent-soft","sound_elements":["gentle vīṇā","wind chimes","distant gandharva chorus","rustling blossoms"]}

Sandhi Resolution Notes: रूपौदार्यगुणोपेता = रूप + औदार्य + गुण + उपेता; सर्वालंकारभूषिता = सर्व + अलंकार + भूषिता; वनस्यांते = वनस्य + अन्ते

S
Sūta
N
Nandana (celestial grove)

FAQs

The speaker is Sūta, the traditional narrator who relays Purāṇic accounts to the listening sages; the verse sets a scene by describing a divinely adorned female figure in a celestial setting.

Nandana (Nandanavana) is a famed celestial pleasure-grove associated with Indra’s heaven (Svarga), often used as a setting for divine encounters, beauty, and enjoyment.

The verse primarily functions as descriptive scene-setting; indirectly it highlights the Purāṇic theme that external splendor (ornaments, beauty, heavenly settings) is noteworthy but typically serves as a backdrop for later moral, devotional, or karmic teachings in the surrounding narrative.