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Padma Purana — Bhumi Khanda, Shloka 14

The Royal Consecration

Cosmic Appointments and Directional Guardians

गंधर्वाणां तु सर्वेषां राज्ये पुण्ये तथैव च । चित्ररथं ततो ब्रह्मा अभिषिच्य सुरेश्वरः

gaṃdharvāṇāṃ tu sarveṣāṃ rājye puṇye tathaiva ca | citrarathaṃ tato brahmā abhiṣicya sureśvaraḥ

Kemudian Brahmā, Penguasa para dewa, telah melaksanakan upacara abhiṣeka dan menobatkan Citraratha untuk memerintah dengan adil dan penuh berkat atas semua Gandharva.

गन्धर्वाणाम्of the Gandharvas
गन्धर्वाणाम्:
Sambandha (Genitive relation/सम्बन्ध)
TypeNoun
Rootगन्धर्व (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी (6th/षष्ठी), बहुवचन — genitive plural
तुbut/indeed
तु:
Discourse particle (निपात)
TypeIndeclinable
Rootतु (अव्यय)
Formनिपात (particle), विरोध/अन्वयार्थे — emphatic/contrastive
सर्वेषाम्of all
सर्वेषाम्:
Sambandha (Genitive relation/सम्बन्ध)
TypeAdjective
Rootसर्व (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी (6th), बहुवचन — genitive plural; विशेषणम् (qualifier)
राज्येin the kingship/realm
राज्ये:
Adhikarana (Location/अधिकरण)
TypeNoun
Rootराज्य (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी (7th/सप्तमी), एकवचन — locative singular
पुण्येin the sacred/meritorious (realm)
पुण्ये:
Adhikarana (Location/अधिकरण)
TypeAdjective
Rootपुण्य (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी (7th), एकवचन — locative singular; विशेषणम् (qualifier)
तथाthus/so
तथा:
Adverbial (क्रियाविशेषण)
TypeIndeclinable
Rootतथा (अव्यय)
Formक्रियाविशेषण (adverb) — ‘thus/so’
एवindeed/just
एव:
Discourse particle (निपात)
TypeIndeclinable
Rootएव (अव्यय)
Formनिपात (particle) — emphasis/limitation
and
:
Connector (समुच्चय)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक (conjunction)
चित्ररथम्Citraratha
चित्ररथम्:
Karma (Object/कर्म)
TypeNoun
Rootचित्ररथ (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd/द्वितीया), एकवचन — accusative singular; समासः: चित्र + रथ (कर्मधारय/तत्पुरुष-प्रायः, ‘चित्रः रथः यस्य/चित्ररथः’ नाम)
ततःthen
ततः:
Adverbial (क्रियाविशेषण)
TypeIndeclinable
Rootततः (अव्यय)
Formअव्यय, देश/कालवाचक — ‘then/from there’
ब्रह्माBrahmā
ब्रह्मा:
Karta (Subject/कर्ता)
TypeNoun
Rootब्रह्मन् (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/प्रथमा), एकवचन — nominative singular
अभिषिच्यhaving consecrated/installed
अभिषिच्य:
Purvakala-kriya (Prior action/पूर्वकालक्रिया)
TypeVerb
Rootअभि-√सिच् (धातु)
Formक्त्वान्त (absolutive/gerund), अव्ययभाव — ‘having anointed/installed’; उपसर्ग: अभि
सुरेश्वरःthe lord of the gods
सुरेश्वरः:
Karta (Apposition to subject/कर्ता-विशेषण)
TypeNoun
Rootसुरेश्वर (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st), एकवचन — nominative singular; समासः: सुर + ईश्वर (षष्ठी-तत्पुरुषः ‘देवानाम् ईश्वरः’)

Unspecified (narratorial voice within the chapter’s dialogue context)

Concept: Legitimate sovereignty is conferred through consecration (abhiṣeka) aligned with righteousness; even celestial arts and pleasures are placed under dharmic governance.

Application: Treat talents (music, art, leadership) as entrusted responsibilities; seek ‘abhiṣeka’ through discipline, ethical conduct, and service.

Primary Rasa: vira

Secondary Rasa: adbhuta

Type: celestial_realm

Visual Art Cues: {"scene_description":"In a jeweled celestial court perfumed with sandal and filled with veena music, Brahmā performs abhiṣeka for Citraratha, pouring consecrated water from a golden kalaśa. Gandharvas stand in semicircles with instruments—vīṇā, mṛdaṅga, flute—while flower-rain falls from above, marking the auspicious transfer of sovereignty.","primary_figures":["Brahmā (Caturmukha)","Citraratha","Gandharvas","celestial attendants (apsarases optional)"],"setting":"Svarga-like assembly hall with jeweled pillars, cloud-throne dais, and musical retinue.","lighting_mood":"divine radiance","color_palette":["pearl white","marigold gold","ruby red","emerald green","sky blue"],"tanjore_prompt":"Tanjore painting style: Brahmā enthroned with four faces, performing abhiṣeka over Citraratha; thick gold leaf on pillars and halos, gem-studded ornaments, rich reds/greens; Gandharvas symmetrically arranged with instruments, ornate arch framing the scene.","pahari_prompt":"Pahari miniature style: airy celestial pavilion with delicate columns, soft pastel clouds; Brahmā pouring water from a kalasha; Gandharvas in refined attire holding vīṇās; subtle floral rain, fine brushwork and lyrical elegance.","kerala_mural_prompt":"Kerala mural style: frontal Brahmā with bold outlines, stylized kalasha and water stream; Citraratha seated in respectful posture; musicians in rhythmic bands; saturated reds/yellows/greens with deep blue background, temple mural composition.","pichwai_prompt":"Pichwai cloth painting style: central abhiṣeka vignette framed by ornate floral borders; musicians and dancers in circular arrangement; lotus motifs and gold highlights; deep blue ground with decorative instrument patterns."}

Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Yaman","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["veena drone","soft mridanga","temple bells","flower petals falling (soft rustle)","conch shell (distant)"]}

Sandhi Resolution Notes: गंधर्वाणां→गन्धर्वाणाम्; तथैव→तथा+एव; ब्रह्मा अभिषिच्य→ब्रह्मा + अभिषिच्य (no sandhi change); सुरेश्वरः is a compound (सुर+ईश्वर).

B
Brahmā
C
Citraratha
G
Gandharvas

FAQs

Citraratha is presented as a प्रमुख Gandharva who is consecrated by Brahmā to rule over all Gandharvas.

It indicates a formal consecration (abhiṣeka)—a ritual anointing that authorizes and sanctifies kingship or office.

Legitimate authority is portrayed as arising from dharmic, sanctified appointment—rule is “puṇya” (righteous/auspicious) when aligned with cosmic order.