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Shloka 37

The Deception of Vṛtra

विमानमंदिरैर्दिव्यैः सर्वत्र परिशोभितम् । दिव्यगंधर्वसंगीतं भ्रमराकुलितं सदा

vimānamaṃdirairdivyaiḥ sarvatra pariśobhitam | divyagaṃdharvasaṃgītaṃ bhramarākulitaṃ sadā

Di mana-mana ia dihiasi dengan istana udara kayangan dan mahligai yang indah; bergema dengan muzik Gandharva dan sentiasa dipenuhi dengan kawanan lebah.

विमानमन्दिरैःwith aerial chariots and mansions
विमानमन्दिरैः:
Karana (Instrument/करण)
TypeNoun
Rootविमान-मन्दिर (प्रातिपदिक; विमान + मन्दिर)
Formनपुंसकलिङ्ग, तृतीया (3rd/Instrumental), बहुवचन; इतरेतर-द्वन्द्वः (‘विमानानि च मन्दिराणि च’)
दिव्यैःdivine
दिव्यैः:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Rootदिव्य (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया (3rd/Instrumental), बहुवचन; विशेषणम् (विमानमन्दिरैः)
सर्वत्रeverywhere
सर्वत्र:
Adhikarana (Place/अधिकरण)
TypeIndeclinable
Rootसर्वत्र (अव्यय)
Formदेशवाचक-अव्यय (locative adverb)
परिशोभितम्adorned, beautified
परिशोभितम्:
Kriya (Predicate participle/क्रिया)
TypeVerb
Rootशुभ्/शोभ् (धातु) + परि (उपसर्ग) + क्त (कृदन्त)
Formभूतकर्मणि कृदन्त (PPP), नपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; वर्ण्य-वस्तुनि विशेषणम् (‘adorned’)
दिव्यगन्धर्वसंगीतम्divine Gandharva-music
दिव्यगन्धर्वसंगीतम्:
Visheshana/Visheya (Descriptor/विशेषण)
TypeNoun
Rootदिव्य-गन्धर्व-संगीत (प्रातिपदिक; दिव्य + गन्धर्व + संगीत)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; समासः तत्पुरुषः (‘गन्धर्वाणां संगीतं’ + ‘दिव्यम्’)
भ्रमराकुलितम्swarmed with bees
भ्रमराकुलितम्:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Rootभ्रमर-आकुलित (प्रातिपदिक; भ्रमर + आकुलित)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया, एकवचन; क्त-प्रत्ययान्त (PPP) ‘आकुलित’; समासः तत्पुरुषः (‘भ्रमरैः आकुलितम्’ = swarmed by bees)
सदाalways
सदा:
Adhikarana (Time/अधिकरण)
TypeIndeclinable
Rootसदा (अव्यय)
Formकालवाचक-अव्यय (temporal adverb)

Unspecified narrator (contextual description within the Bhūmi-khaṇḍa dialogue; exact speaker not inferable from this single verse alone)

Concept: Merit (puṇya) manifests as an ordered, beautiful world where sound, scent, and form become offerings rather than distractions.

Application: Curate one’s environment—sound, fragrance, and aesthetics—to support japa, pūjā, and sattvic living; treat beauty as seva, not indulgence.

Primary Rasa: adbhuta

Secondary Rasa: shringara

Type: celestial_realm

Visual Art Cues: {"scene_description":"A vast celestial precinct stretches in all directions, studded with floating vimāna-palaces and jeweled mansions. From unseen balconies, Gandharvas perform on vīṇā and flute while the air shimmers with incense-like fragrance; below, flowering groves hum with dense swarms of bees circling garlands and lotus ponds.","primary_figures":["Gandharvas","celestial residents in vimānas"],"setting":"Aerial palaces above a divine garden-city with terraces, colonnades, and flowering courtyards; distant cloud-banks and faint starry vault.","lighting_mood":"divine radiance","color_palette":["gold leaf","sapphire blue","lotus pink","emerald green","pearl white"],"tanjore_prompt":"Tanjore painting style: a panoramic divya-nagara with multiple floating vimānas and ornate prāsādas, Gandharvas playing vīṇā and flute on gilded balconies, thick garlands and bees in the foreground, heavy gold leaf halos around architectural motifs, rich crimson and emerald textiles, gem-studded ornaments, symmetrical South Indian iconographic detailing.","pahari_prompt":"Pahari miniature style: airy celestial city with delicate linework, pale cloud terraces and slender vimānas, Gandharvas in refined profiles playing instruments, bees rendered as tiny rhythmic dots over flowering shrubs, cool blues and soft pinks, lyrical naturalism with distant hills of cloud and a calm, perfumed atmosphere.","kerala_mural_prompt":"Kerala mural style: bold black outlines and flat natural pigments depicting layered vimānas, Gandharvas with stylized eyes and elaborate crowns, swirling bee patterns around floral borders, temple-wall composition with red-yellow-green dominance and gold accents, rhythmic musical gestures emphasized.","pichwai_prompt":"Pichwai cloth painting style: a lotus-garden court filled with floral borders and honey-bee motifs, celestial musicians in the upper register, ornate architectural arches, deep indigo background with gold highlights, intricate vine patterns and symmetrical framing, devotional ambience as if the garden itself is an offering."}

Audio Atmosphere: {"recitation_mood":"celebratory","suggested_raga":"Yaman","pace":"moderate-narrative","voice_tone":"reverent-soft","sound_elements":["vīṇā strains","soft mridanga","temple bells","bee hum","distant conch shell"]}

Sandhi Resolution Notes: विमान + मन्दिरैः → विमानमन्दिरैः; दिव्य + गन्धर्व + संगीतम् → दिव्यगन्धर्वसंगीतम्; भ्रमर + आकुलितम् → भ्रमराकुलितम्.

G
Gandharva
B
Bhramara (bees)

FAQs

A splendid sacred or celestial locale, portrayed as filled with divine mansions (vimāna-mandiras), continuous Gandharva music, and the natural auspiciousness of bees swarming around.

Gandharvas symbolize heavenly aesthetics—music and refined joy—so their presence signals a place of divine favor, ritual purity, and extraordinary (otherworldly) excellence.

The verse uses beauty, harmony, and abundance as signs of dharmic order—suggesting that sacred spaces (and sacred living) are marked by upliftment, concord, and a refined atmosphere conducive to devotion.