Padma Purana — Bhumi Khanda, Shloka 15
The Tale of Kāmodā and Vihuṇḍa: Tear-Born Lotuses on the Gaṅgā and the Ethics of Worship
पद्मैस्तु पुष्पितैः सोपि पूजयेद्गिरिजाप्रियम् । सप्तकोटिभिर्दैत्येंद्रो विष्णुमायाप्रमोहितः
padmaistu puṣpitaiḥ sopi pūjayedgirijāpriyam | saptakoṭibhirdaityeṃdro viṣṇumāyāpramohitaḥ
Dia juga hendaklah memuja Kekasih Girijā (Śiva) dengan bunga teratai yang sedang mekar. Penguasa para Dānava, terpesona oleh māyā Viṣṇu, melakukan pemujaan itu dengan tujuh krore teratai.
Unspecified (narratorial voice within the Bhūmi-khaṇḍa dialogue context)
Concept: Ritual magnitude (seven crores of lotuses) cannot substitute for right intention; māyā can drive even ‘devotional’ acts toward adharmic ends.
Application: Prioritize sincerity and humility over spectacle in worship; offer what you can with clean motive rather than competing in grandeur.
Primary Rasa: adbhuta
Secondary Rasa: raudra
Visual Art Cues: {"scene_description":"A colossal ritual tableau: an asura emperor commands attendants to heap an ocean of blooming lotuses before a Śiva-liṅga or Śaṅkara’s icon, until the ground becomes a pink carpet. The air is thick with fragrance and drifting petals, yet a faint, unsettling shimmer—Viṣṇu’s māyā—threads through the scene, hinting that this grandeur is spiritually mis-aimed.","primary_figures":["Dānava-indra (asura lord)","Śiva (as Girijā-priya, represented by liṅga or icon)","Attendants/daityas","Subtle Viṣṇu-māyā aura"],"setting":"Temple courtyard or riverside shrine with towering pillars, heaps of lotuses, ritual lamps, and incense smoke.","lighting_mood":"temple lamp-lit","color_palette":["lotus pink","lamp gold","ash gray","deep maroon","emerald green"],"tanjore_prompt":"Tanjore painting style: Śiva-liṅga or Śaṅkara icon at center with gold-leaf prabhāmaṇḍala; the asura king in regal posture offering mountains of lotus flowers; attendants carrying baskets; thick gold embossing on jewelry and petals, rich reds/greens, gem-studded ornaments, ornate temple arch framing the scene.","pahari_prompt":"Pahari miniature style: refined temple courtyard with delicate columns; a river glimpsed beyond; the asura’s extravagant lotus offering rendered as layered pink forms; subtle narrative tension in facial expressions; cool shadows and lyrical detailing.","kerala_mural_prompt":"Kerala mural style: central Śiva form with characteristic eyes and bold outlines; patterned lotus carpet across the floor; the asura and attendants in rhythmic arrangement; strong red/yellow/green palette with stylized smoke and lamps.","pichwai_prompt":"Pichwai cloth painting style: an overwhelming lotus field as decorative ground; central shrine motif; intricate floral borders and repeating lotus patterns; deep blue and gold accents, emphasizing abundance and ritual symmetry."}
Audio Atmosphere: {"recitation_mood":"celebratory","suggested_raga":"Yaman","pace":"fast-dramatic","voice_tone":"authoritative","sound_elements":["temple bells","drums","conch shell","chanting chorus","petals falling (soft)"]}
Sandhi Resolution Notes: पद्मैस्तु = पद्मैः + तु; सोपि = सः + अपि; पूजयेद्गिरिजाप्रियम् = पूजयेत् + गिरिजाप्रियम्; सप्तकोटिभिर्दैत्येन्द्रः = सप्तकोटिभिः + दैत्येन्द्रः
FAQs
“Girijāpriya” means “the beloved of Girijā (Pārvatī)” and is a common epithet for Śiva.
It frames the Daitya king’s action as occurring under divine delusion, a Purāṇic motif showing how even powerful beings can be guided or confounded by Viṣṇu’s cosmic power (māyā).
Lotus-offering worship (padma-pūjā) is emphasized—an act of intense devotion expressed through abundant, auspicious flowers offered to Śiva.