Samayakaraṇa
Determination of Proper Times / Formalizing the Condition
समाहितमनास्त्वत्र तपस्यानिरता स्थिता । संपूजयंती देवेशं गीतदानेन शंकरम् ॥ २९ ॥
samāhitamanāstvatra tapasyāniratā sthitā | saṃpūjayaṃtī deveśaṃ gītadānena śaṃkaram || 29 ||
Di sana dia tinggal dengan hati yang terhimpun dan khusyuk, teguh dalam tapa. Dia memuja Śaṅkara, Tuhan para dewa, dengan persembahan derma yang diiringi nyanyian suci.
Narada (narrative voice within the Uttara-Bhaga tirtha-mahatmya discourse)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It highlights that inner steadiness (samāhita-manas) and sustained tapas become complete when expressed as reverent worship—here, honoring Śaṅkara through devotional song and charitable offering.
Bhakti is shown as active reverence: the devotee worships the deity not only inwardly through concentration and austerity, but outwardly through praise (gīta) and giving (dāna), integrating feeling, discipline, and service.
The verse implicitly points to correct liturgical practice—recitation/singing of hymns (linked with Śikṣā for sound and Chandas for meter) and dāna as a ritual component of worship in tirtha-oriented observances.