Narada Purana — Purva Bhaga, Shloka 46
Bhakti-Śraddhā-Ācāra-Māhātmya and the Commencement of the Mārkaṇḍeya Narrative
वटच्छदे शयानोऽभूत्सर्वशक्तिसमन्वितः । तस्मिन्स्थाने महाभागो नारायणपरायणः । मार्कंडेयः स्थिनस्तस्य लीलाः पश्यन्महेशितुः ॥ ४६ ॥
vaṭacchade śayāno'bhūtsarvaśaktisamanvitaḥ | tasminsthāne mahābhāgo nārāyaṇaparāyaṇaḥ | mārkaṃḍeyaḥ sthinastasya līlāḥ paśyanmaheśituḥ || 46 ||
Berbaring di bawah naungan beringin, Dia menjadi sempurna dengan segala śakti. Di tempat itu juga, resi yang amat berbahagia, Mārkaṇḍeya—yang sepenuhnya berserah kepada Nārāyaṇa—tetap tinggal, menyaksikan līlā, permainan ilahi Tuhan Yang Maha Agung.
Narada
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
FAQs
It highlights that steadfast devotion to Nārāyaṇa (nārāyaṇa-parāyaṇatā) culminates in direct contemplation of the Lord’s līlā, where divine power and grace are experienced as a lived spiritual reality.
Bhakti is shown as single-pointed reliance on Nārāyaṇa; Mārkaṇḍeya’s steadiness and vision of the Lord’s play indicates that devotion matures into darśana—seeing the Lord’s presence and actions everywhere.
No specific Vedāṅga technique is taught in this verse; the practical takeaway is contemplative discipline (steady attention and remembrance of Nārāyaṇa) as the supportive practice behind spiritual vision.