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Narada Purana — Purva Bhaga, Shloka 87

Bhāgīratha’s Bringing of the Gaṅgā

हिरण्यरेतसे तुभ्यं नमो हिरण्यवाहवे । नमो ध्यानस्वरूपाय नमस्ते ध्यानसाक्षिणे ॥ ८७ ॥

hiraṇyaretase tubhyaṃ namo hiraṇyavāhave | namo dhyānasvarūpāya namaste dhyānasākṣiṇe || 87 ||

Sembah sujud kepada-Mu yang benih daya penciptaan-Mu keemasan; sembah sujud kepada-Mu yang memikul dan membawa sinar emas. Sembah sujud kepada-Mu yang merupakan wujud meditasi; sembah sujud kepada-Mu, saksi segala meditasi.

हिरण्यरेतसेto the one with golden seed/essence
हिरण्यरेतसे:
Sampradana (सम्प्रदान)
TypeNoun
Rootहिरण्य-रेतस् (प्रातिपदिक; हिरण्य + रेतस्)
Formपुंलिङ्ग, चतुर्थी, एकवचन; रेतस्-शब्द dative singular (रेतसे)
तुभ्यम्to you
तुभ्यम्:
Sampradana (सम्प्रदान)
TypeNoun
Rootयुष्मद् (सर्वनाम-प्रातिपदिक)
Formचतुर्थी, एकवचन
नमःsalutation
नमः:
Sambodhana/Address (सम्बोधन-प्रयोग)
TypeNoun
Rootनमस् (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा, एकवचन; in text as ‘नमो’ by sandhi
हिरण्यवाहवेto the bearer of gold
हिरण्यवाहवे:
Sampradana (सम्प्रदान)
TypeNoun
Rootहिरण्य-वाह (प्रातिपदिक; हिरण्य + वाह)
Formपुंलिङ्ग, चतुर्थी, एकवचन; वाह-शब्द dative singular (वाहवे)
नमःsalutation
नमः:
Sambodhana/Address (सम्बोधन-प्रयोग)
TypeNoun
Rootनमस् (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा, एकवचन; in text as ‘नमो’ by sandhi
ध्यानस्वरूपायto the one whose essence is meditation
ध्यानस्वरूपाय:
Sampradana (सम्प्रदान)
TypeNoun
Rootध्यान-स्वरूप (प्रातिपदिक; ध्यान + स्वरूप)
Formपुंलिङ्ग, चतुर्थी, एकवचन; ‘whose nature is meditation’
नमःsalutation
नमः:
Sambodhana/Address (सम्बोधन-प्रयोग)
TypeNoun
Rootनमस् (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा, एकवचन
तेto you/your
ते:
Sambandha (सम्बन्ध)
TypeNoun
Rootयुष्मद् (सर्वनाम-प्रातिपदिक)
Formषष्ठी, एकवचन; enclitic
ध्यानसाक्षिणेto the witness of meditation
ध्यानसाक्षिणे:
Sampradana (सम्प्रदान)
TypeNoun
Rootध्यान-साक्षिन् (प्रातिपदिक; ध्यान + साक्षिन्)
Formपुंलिङ्ग, चतुर्थी, एकवचन; साक्षिन्-शब्द dative singular (साक्षिणे)

Narada (stotra-style praise within the teaching context)

Vrata: none

Primary Rasa: shanta

Secondary Rasa: bhakti

V
Vishnu

FAQs

It identifies the Supreme (Vishnu) as both the luminous creative source (“golden essence”) and the inner consciousness that witnesses meditation, guiding the seeker from devotion to direct realization.

Bhakti is expressed as reverent salutation to the Lord’s divine attributes—radiance, creative power, and inner witness—so the devotee’s meditation becomes God-centered rather than ego-centered.

Mantra-prayoga (practical application of sacred utterance) is implied: a structured namaskāra-stotra used as a dhyāna-aṅga (limb of meditation) to steady attention on the deity’s svarūpa (essential nature).